Chris Soal: Field of Vision | Contemporary And

Exhibition

Chris Soal, Returning has leaving under its cloak [Detail], 2018. Toothpicks (burnt and unburnt) in polyurethane sealant in pine wood frame. Approx 110 x 95 x 7 cm per panel. Image courtesy of Chris Soal and WHATIFTHEWORLD

Exhibition

Chris Soal: Field of Vision

WHATIFTHEWORLD
Cape Town

Dan Halter, Kuzvuva Dumbu, 2019. Found plastic-weave bags and wire frame. Dimensions variable. Image courtesy of Dan Halter and WHATIFTHEWORLD

Exhibition

Dan Halter: Cross the River in a Crowd

WHATIFTHEWORLD
Cape Town

Senga Nengudi, Study for Mesh Mirage, Detail, 1977 © Senga Nengudi

Exhibition

Senga Nengudi

Sprüth Magers
London

Mary Frances Whitfield 'Sari-Mae's sorrow' (1996), watercolor on canvas board, 16x20 inches. Private collection.

Exhibition

Mary Frances Whitfield: Why?

Abroms-Engel Institute for the Visual Arts
Birmingham, Alabama

Alberta Whittle,

Exhibition

Alberta Whittle: Business As Usual

Tyburn Gallery
London

Lola Flash,

Exhibition

Lola Flash: [sur]passing

Autograph
London

Maxine Walker,
from the series

Exhibition

Maxine Walker: Untitled

Autograph
London

Rahima Gambo,

Exhibition

Women on Aeroplanes: Zwischenlandung / Stopover

TOR Art Space
Frankfurt am Main

Christian Nyampeta,

Exhibition

Christian Nyampeta: A Flower Garden of All Kinds of Loveliness Without Sorrow

Museum of Contemporary Art (gfzk)
Leipzig

The Otolith Group,

Exhibition

The Otolith Group: Xenogenesis

Van Abbemuseum
Eindhoven

Gauri Gill, Untitled, (31) from Acts of Appearance, 2015-ongoing Archival pigment print, Ed. 7 + 1 AP, 16 x 24 Inch. Courtesy the artist

Exhibition

MASK: The Art of Transformation – Group Show

Kunstmuseum Bonn
Bonn

(left) Robel Temesgen, Untitled, 2019. Ink, Acrylic, Permanent Marker, Pencil, Tippex, Ink pen on Paper. (right) Tegene Kunbi, Untitled, 2018. Acrylic paint on canvas. Both courtesy the artist.

Exhibition

RE:PUBLIC Tegene Kunbi and Robel Temesgen

Circle Art Gallery
Nairobi

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