Manifestations

1:54 FORUM New York 2016

Pioneer Works, Brooklyn, New York, United States
06 May 2016 - 07 May 2016

1:54 FORUM New York 2016

Dave McKenzie, This ship would set sail, even anchored as it was, 2016. Courtesy of the artist and Performa

Announcing the full 2016 programme for 1:54 FORUM, the fair’s discursive programme curated by Koyo Kouoh, Founder and Artistic Director of RAW Material Company, Dakar and Curator of the 2016 EVA International – Ireland’s Biennial of Contemporary Art.

This year, Kouoh welcomes as her collaborators Adrienne Edwards (Performa, New York and Walker Art Center, Minneapolis), Ugochukwu-Smooth C. Nzewi (Hood Museum of Art, Dartmouth College), and Dexter Wimberly (independent New York-based curator). In addition to FORUM, 1:54 will host 1:54 PERFORMS, a new performance section for this year’s edition co-presented with Performa and curated by Adrienne Edwards, Curator at Performa and Curator-at-Large at the Walker Art Center. This innovative platform of the fair will centre around two original performances.

Featuring contributions from a rising generation of cultural entrepreneurs and producers, FORUM’s programme will pivot around key areas of interest that include independent and institutional curating in an increasingly digital and decentered age. This will build on current waves of productivity steadily metabolising the digital as a valuable tool in disseminating and connecting with forms of knowledge and exchange. FORUM will act as a go-between travelling from historical, formative moments to future hypotheses in the areas of artmaking, exhibition, dissemination and critical reflection. With a vast amount of activity now taking place online, the subject of how institutions have sought to deal with this shift, with its own conditions of engagement and display, will also be visited.

Further considered will be the increasingly digitality of the art world, and how this might be mapped out in respect of routes of physical repatriation. This comes at a time when many creative practitioners, having undertaken their training and education in the United States and Europe, are returning to the African continent to work in the cultural sector. Challenges abound, we might ask whether this means more possibilities are being afforded; and whether professionals are able to move more freely to live and work beyond the limits of geography. The full schedule continues below.

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To view full FORUM programme, click here.

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http://1-54.com