Whitechapel Gallery presents a major exhibition of work by William Kentridge from 21 September 2016 to 15 January 2017. The exhibition titled Thick Time is curated by Iwona Blazwick, Whitechapel Gallery Director and will be the artist’s first major public solo presentation in the UK in over 15 years.

William Kentridge is one of South Africa’s pre-eminent artists, globally acclaimed for his drawings, films, lecture performances and opera and theatre productions. His work draws on varied sources, including philosophy, literature and early cinema to create intricate art works and spellbinding environments in which he explores theories of time and relativity, the history of colonialism and the aspirations and failures of revolutionary politics.

William Kentridge: Thick Time will feature six works created between 2003 and 2016 – including two of the artist’s immersive audio-visual installations, The Refusal of Time (2012) and O Sentimental Machine (2003), which have never previously been exhibited in the UK. The exhibition will also feature his flip-book film, Second-hand Reading (2013), a series of mural-scale tapestries based on his opera production of Shostakovich’s The Nose and a set model which reveals his working process on the opera production Lulu (2016), which he will direct at English National Opera this November.

William Kentridge: Thick Time is co-curated by Iwona Blazwick, Whitechapel Gallery Director and Sabine Breitwieser, Director, Museum der Moderne Salzburg and is organised with the Louisiana Museum of Modern Art, Humlebaek, Denmark (16 February – 18 June 2017), Museum der Moderne Kunst Salzburg (22 July – 5 November 2017) and the Whitworth, University of Manchester in 2018.

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www.whitechapelgallery.org