the everyday waiting

Goodman Gallery, London, United Kingdom
09 Jul 2020 - 11 Sep 2020

the everyday waiting

the everyday waiting comprises a selection of photographs taken by emerging South African photographer Jabulani Dhlamini during the past four months of national lockdown in South Africa.

This photographic essay extends on the emerging photographer’s characteristically contemplative approach to documentary photography, looking at the psychological impact of COVID-19 on South Africans living in confined spaces in the photographer’s community, Soweto.

For Dhlamini “Shooting my surroundings at this time led me to understand that this pandemic is starkly highlighting entrenched social and economic problems. After 25 years, what has changed in South Africa’s townships and rural areas? Not enough.”

In 2018, Dhlamini was selected by the Financial Times to document his life for 24 hours for The millennials series, which coincided with Winnie Madikizela-Mandela’s funeral. Rather than shoot the national memorial event held at the Orlando stadium, Dhlamini focused on informal street-gatherings surrounding the stadium in Soweto. “When everyone is running towards a certain event, we lose some of the meaningful narratives,” he explains.

Dhlamini’s approach, avoiding the major events and focusing on more subtle displays of human experience and interaction, is reminiscent of that of his predecessor David Goldblatt who mentored Dhlamini. For the young photographer, this was a crucial relationship: “getting to know him [David Goldblatt] personally was a turning point in my practice, as the relationship nurtured my understanding of photography like no other”.

Jabulani Dhlamini (b. 1983, Free State, South Africa) lives and works in Johannesburg. Dhlamini majored in documentary photography at the Vaal University of Technology, graduating in 2010. From 2011-2012, Dhlamini was a fellow of the Edward Ruiz Mentorship and completed a year-long residency at the Market Photo Workshop in Johannesburg. Dhlamini’s work focuses on his upbringing, as well as the way he views contemporary South Africa.


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