Evergreen Brick Works , Toronto, Canada 27 Jul 2022 - 31 Oct 2022
Sandra Brewster, Roots, 2021–22. Photo-based gel transfer on pressure treated wood, dimensions variable. Photo: Ibrahim Abusitta.
The Evergreen Public Art Program presents Roots, an outdoor photographic installation by Sandra Brewster that explores the long history of Black presence in the urban wilderness. Developed during her tenure as Koerner Artist-in-Residence, Brewster’s photographic panels document the area’s plant life, greeting visitors as they explore the valley.
Like friendly spectral entities, Brewster’s works guide viewers through these outdoor spaces, hovering above and enmeshing with the plant life of the expansive site and gardens, and echoing walks the artist took with activist, scholar, and founder of Black Outdoors, Jacqueline L. Scott, as they travelled along the Don River in preparatory research for Roots. The project animates the roots of Brewster’s Caribbean Canadian diasporic narrative and speaks more broadly to Black histories on this land. What constitutes multitudinous Black experiences in the Canadian wilderness? Brewster connects Canada and Guyana, Toronto’s forests and the Amazonian jungle, offering new perspectives on ideas of home and belonging while contributing to rich histories of the Black diaspora in the land now called Canada. These photographic panels chart movement and migration toward and across lands complicated by histories of unceded territories and enslavement.
Brewster’s evocative imagery shifts between presence and absence, being and becoming, moving forward and receding. Her process of applying the images through a manual gel-transfer technique leaves behind small, fragmented, papery bits that stick to their wooden panel supports, while other parts of the images have worn away. The areas that remain refuse to take leave in the transfer process, resolutely staying behind. Her process is not unlike memory, in this sense. Once life is made into a memory, the distance between past and present widens, becoming less distinct across generations and geographies. The layers of Brewster’s works peel back like an onion; their sepia tones steeped in time, their temporality mirroring life. As a record of a specific moment, Roots captures nature’s continual state of change. The photographic panels function as meditations on materiality, the interconnectedness of the ecosystem, and the humanity that lies within it.
Roots is an inherently collective effort, developed alongside research on Black experiences in Toronto’s ravine lands in collaboration with Scott, an advocate for Black people’s access and enjoyment of the outdoors. The collaborative nature of Brewster’s project brings together art, urban exploration, and Toronto’s Black histories and diasporas, highlighting the necessity of establishing safe outdoor spaces in order to gather and build communities. Through sharing stories and knowledge, Brewster and Scott have generated a sense of togetherness through the vitality of outdoor activity, with nourishing effects. While recreation means to refresh through enjoyable exercise, the term can also signify self-renewal through communing with the wilderness. To be among others, collectively experiencing the curiosities and joys of the outdoors, offers restorative potential and the opportunity to forge future memories, as nature and community heal together.