Constellations – Part 1: Figures on Earth & Beyond – Group Show

Gallery 1957, London, United Kingdom
14 Mar 2024 - 25 May 2024

Phoebe Boswell, the smallest play of leaves in my branches, the smallest scar on my bark, 2024, pastel on paper, 153cm x 123cm, courtesy the Artist and Gallery 1957.

Phoebe Boswell, the smallest play of leaves in my branches, the smallest scar on my bark, 2024, pastel on paper, 153cm x 123cm, courtesy the Artist and Gallery 1957.

Gallery 1957 is proud to present its sister-city exhibition project Constellations, opening in London with Part 1: Figures on Earth & Beyond on 14 March. Coinciding with the gallery’s 8-year anniversary, this multimedia exhibition project brings together emerging and established artists from within the gallery’s programme and beyond, celebrating the creative communities burgeoning in Ghana and the UK.

Artists participating in this group show include those collaborating with the gallery for the first time; Adelaide Damoah, Alberta Whittle, Andrew Pierre Hart, Ayesha Feisal, Ayomide Tejuoso (Plantation), Denyse Gawu-Mensah, Henry Hussey, Lisa C Soto, Phoebe Boswell, Rashaad Newsome, and Sarah Meyohas, as well as long-term collaborators and artists in residence; Johannes Phokela, Larry Amponsah, Yaa Asantewaa Art Prize winner Lois Selasie Arde-Acquah, Modupeola Fadugba, and Zak Ové.

Co-curated by independent curator Katherine Finerty, curator and artist Tracy Naa Koshie Thompson, and Compound House Gallery founder Nuna Adisenu-Doe, Constellations celebrates the cultural exchange between London and Accra’s creative ecosystems with artists, curators, writers, and filmmakers. It considers how their interconnectivity breaks the boundaries of time and geography, inviting artists to respond to the unique natural and artificial habitats of both sites whilst considering elements that transcend them.

In line with ecofeminist scholar Donna Haraway, Constellations –Part 1: Figures on Earth & Beyond rejects the concept of the Anthropocene Epoch, based on the idea that human activity is the dominant influence on the Earth’s climate and environment in the current geological age. The exhibition concept challenges our human inclination to centre ourselves and instead repositions humans as part of a larger ecosystem, critically examining human-made structures of power, memory, and agency within their wider environments through concepts of art history, spirituality, technology, and science fiction.

The show includes specially commissioned works from artists Phoebe Boswell, Adelaide Damoah, Andrew Pierre Hart, and Denyse Gawu-Mensah, whilst artists Lois Selasie Arde-Acquah, Larry Amponsah, Modupeola Fadugba, Henry Hussey, and Ayomide Tejuoso (Plantation) have adapted new and previous works in line with the exhibition concept.

For example, Adelaide Damoah’s works visually reference landmarks near Gallery 1957’s London space – the equestrian statue of Baron Robert Napier at Queen’s Gate and the Albert Memorial with images of Queen Victoria and Prince Albert – combining them with images of her Ghanaian family and Victorian lace to bring to memory the relationship between colonialism and ancestry. Rashaad Newsome will present a special edition of Self Inventions, part of the LACMA × Snapchat: Monumental Perspectives (Collection III) initiative. Engaging augmented reality (AR) to explore representation and history across monuments, this initiative uses the lens of collective ancestral memory to examine the individual and communal legacies. Visitors can access Self Inventions on Snapchat by scanning a QR code at Gallery 1957’s London and Accra spaces, showcasing Newsome’s shape-shifting robotic figure reflecting the resilience of Black people in the face of ongoing struggle.

Gallery 1957’s 8-year anniversary
Marking Gallery 1957’s opening on the 6th of March 2016 on Ghanaian Independence Day, Constellations also celebrates progress of the international recognition for the Ghanaian and West-African arts scene and its diasporic communities. Eight years onwards, Ghana’s artistic influence has expanded across its borders, and early collaborators of Gallery 1957 including Amoako Boafo, Arthur Timothy, Gideon Appah, Godfried Donkor, Kaloki Nyamai, Modupola Fadugba, and Serge Attukwei Clottey are presented in galleries and museums around the world.

Exhibition programme
As part of Constellations, Part 1: Figures On Earth & Beyond, curator Katherine Finerty and artist Larry Amponsah will organise a series of interactive collage workshops. These workshops focus on collective-making and world-building. The sessions will take place throughout the duration of the exhibition, and exact timing and locations will be confirmed as soon as possible. Some workshops will be open to the public, while closed sessions will take place in partnership with educational institutions and charitable organisations, including Gallery 1957’s neighbour The Royal College of Art.

For the public opening night of the exhibition on 14 March, Andrew Pierre Hart will perform a special sound set in keeping with his atmospheric soundscape for the exhibition, which responds to current and past issues related to Ghana and wider issues and discussions across the African continent. The soundscape fuses experimental sounds and productions with more recognisable sound, music, and voices to explore these ideas.

To mark the closing of the exhibition, Gallery 1957 will host a performance on 23 May 2024 by Adelaide Damoah. The artist addresses Donna Haraway’s theories in her work with the aim to foster greater awareness and understanding of how we can create a more sustainable future. Through this audiovisual journey, Damoah will explore how we can establish a new ecology by reconnecting with each other and with nature.

Constellations – Part 2, taking place later this year in Accra, Ghana, will focus more on the spatial opportunities of Gallery 1957’s exhibition space in Accra, in dialogue with its surroundings. In line with scholar Timothy Morton, the exhibition re-examines the way we understand the place of humans in the world, to challenge us into re-thinking ecology without essentialist narratives of nature. It will create an interconnected portal, activating the intricate relationships between myth, science, and the ecological dynamics embedded in cultural narratives.




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