Bermondsey Projects, London, United Kingdom
11 Oct 2013 - 03 Nov 2013
Bermondsey Projects feature a major exhibition by Nigerian photographer George Osodi, ‘Nigeria Monarchs’.
Documenting and archiving culture is the key to understanding origins and thus developing a sense of identity. Few would argue that in Nigeria, there are simply not enough cultural archives in existence. Nigeria, one of the largest and most important countries in Africa is rich in traditions and customs, both indigenous and modern as well as many different monarchies. Pre-colonially, many Kingdoms have existed in this region, were governed by their Monarchs who managed inter-village diplomacy, carried out the will of the people and prevented tyranny before the intrusion of the British who also created some new kings and kingdoms from existing one. Though the monarchs hold no constitutional rule since the monarchy system was abolished in 1963 and became a republic within the commonwealth but the monarchy structure have remained relevant in the political landscape of the country. These Kings command great respect /trust from their tribes. Although there is very little known about the many different royalties in Nigeria, they are considered to be a major part of Nigerian history. While there are no official figures of the number of kings in our current period the guess is that they are as many kings as there are tribes. Unfortunately, a lot of the newer generations cannot relate with or identify their traditional rulers. Even today there are many tribal kings in Nigeria, vestiges of a former age their ancient traditions preserved, their wisdom and power still honored. Ancient customs/architecture, and fantastic finery, NIGERIA MONARCHS project will take us into the inner circle of many of these tribes in the person of their king.
NIGERIA MONARCHS introduces us to a way of life rarely glimpsed, with anthropological roots as deep as any on the earth, as they make the transition into a new millennium.
The idea behind this project is to travel around this diverse country and go beyond the portraits to explore the subjects environments, being the custodians of our cultural heritage and peace makers, exploring their architecture and fashion with the view to showcase and celebrate them and to mirror the country’s great culture through their personalities. I am of the view especially in this time of sectarian and insecurity crisis, that people generally see the diverse nature among its various people as a strength and not weakness or divide.