Exhibition

ANTON KANNEMEYER: SUCH, SUCH WERE THE JOYS

STEVENSON, Cape Town, South Africa
10 Apr 2014 - 24 May 2014

ANTON KANNEMEYER: SUCH, SUCH WERE THE JOYS

Anton Kannemeyer 'On the Nelson Mandela Bridge' 2013 (detail), Ink and synthetic polymer on paper 95 x 68.5 cm. Courtesy: STEVENSON

STEVENSON CAPE TOWN presents Anton Kannemeyer’s fourth solo exhibition with the gallery. As South Africa moves into its 20th year of democracy, Kannemeyer continues to explode the idea of the ‘rainbow nation’ through the incisive satire with which he first eviscerated apartheid’s officials and bureaucrats. Exhibiting new works in his ongoing Alphabet of Democracy series, Kannemeyer observes

‘that the criticisms are increasingly directed towards an inept government which is fixated on the past because it is ‘the only noble aspect of its existence left’
(The New Yorker, 16 December 2013).

The debates around the trauma and legacies of colonialism in Africa are another thread in Kannemeyer’s imagery, as in his book Pappa in Afrika (2010). He is currently working on a companion volume, Mamma in Afrika, and many of these new paintings and drawings will be included in the exhibition. These are often in the genre of extreme satire which can simplistically be described as ‘politically incorrect’, a term Kannemeyer regards as reductive. Transgression of our strong beliefs and the sacred stereotypes of race, sex and politics is unavoidable in order for satire to be both critical and playful about themes that often abound in contradictions that we choose not to see.

The exhibition opens on Thursday 10 April 2014, from 6 to 8pm. 

Kannemeyer will give a walkabout of his exhibition in support of the Friends of the National Gallery on Friday 11 April at 11am.
Cost is R20 (members and non-members); all are welcome.

Kannemeyer exhibits concurrently with Daniel Naudé.

 

 

Kannemeyer (born 1967) lives and works in Cape Town. ‘The master “Boer punk”, as he’s been called, coldly holds up a mirror to the failure of good liberal intentions, mainly regarding to race and crime’ (Faye Hirsh in Art in America, January 2012). He has exhibited widely at institutions including  the Museum of Modern Art, New York; the Museum of Contemporary Art Australia; MU, Eindhoven; MHKA, Antwerp; Tennis Palace Art Museum, Helsinki; the Studio Museum in Harlem; Philagrafika festival, Philadelphia; and the Museum of Comic and Cartoon Art, New York. His work is currently included on  Public Intimacy: Art and Social Life in South Africa  at the Yerba Buena Center for the Arts, San Francisco (until 8 June); the travelling exhibition Meeting Points 7; and Pop Goes the Revolution  at The New Church, Cape Town (through 2014). He has published a number of books including Alphabet of Democracy  and  Pappa in Afrika (both Jacana, 2010).

 

www.stevenson.info

 


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