Ecologies
The Colombian artist of Nonuya origin is known in the art world by using drawing to preserve the memory of Amazonian flora at risk of extinction.
The artist’s earth-based practice in the mopane woodlands is based on the reciprocity between her ancestral home and the offerings of her art works.
In Conversation
After a fellowship at Fotogalleriet in Norway, Dahir Hussein was inspired to curate a group show on identity and indoctrination.
Following her debut solo exhibition, the artist reflects on Blackness, the gift of intuition, and the potency of African spirituality in her work.
Our writer Edna Bonhomme speaks to Mae-ling Lokko about agrowaste, fungi, and her evolution as an artist.
As we launch our new C& Artists' Edition, we revisit our interview with Agnes Waruguru from 2020 and asked her about the process behind the new work.
Louise Thurin met Laila Hida, co-founder of Le 18 in Marrakech, to talk about the genesis and visions of the creative hub.
Experimentation and exchange are the focus at Kemi Adeyemi’s arts writing incubator in Seattle.
Exploring resistance through performance, the exhibition Wish You Were Here presents the artist’s interpretations of Aida Overton Walker's legacy.
In this Q&A, arts practitioner and blogger Zimkhitha Xwashu talks about her many projects to support the country’s young and upcoming artists.
Out Now Soon! C& Special Print Issue #artofcritique
Bwanga Kapumpa, Enos Nyamor, Miriane Peregrino and Lorna Telma Zita speak to Rose Jepkorir about their motivations and practice in recent years.
The artist talks about the Venice Biennale, her multiperspective practice, and her interest in masquerade cultures.
![Musila/Soil Paint on Photopaper. Simonga, 2022 [analogue image: Victoria Chona, London 1971]. Courtesy the artist.](https://contemporaryand.com/wp-content/uploads/2023/06/IMG_1794.jpeg)
