Julie Mehretu: A Universal History Of Everything And Nothing | Contemporary And

Exhibition

Julie Mehretu
Zero Canyon (a dissimulation), 2006
Ink and acrylic on canvas
304.8 x 213.4 cm
(JM 1290.06)
MUSAC Collection. Courtesy of the artist and Marian Goodman Gallery, Nueva York. © Julie Mehretu”

Exhibition

Julie Mehretu: A Universal History Of Everything And Nothing

Centro Botín
Santander

Hank Willis Thomas
(b. 1976), Visa, 2017, Mixed media including sport jerseys, c. 182.9 x 238.8 cm; (72 x 94 in.)

Exhibition

Hank Willis Thomas: The Beautiful Game

Ben Brown Fine Arts
London

Cameron Platter, ZOL (2017) | Installation view, blank projects

Exhibition

Cameron Platter: ZOL

blank
Cape Town

shley Walters | Storm Drain (Detail) | 2016 | Giclée Archival Pigment Ink on Cotton Paper | 61 x 42 cm | Ed. 1/6 + 3AP

Exhibition

Peer – Group Show

SMAC Gallery
Cape Town

Grada Kilomba, The Kosmos 2 (Detail) © Esra Rotthoff, courtesy of Maxim Gorki Theatre.

Exhibition

Grada Kilomba: Secrets to Tell

Kudzanai Chiurai, Genesis [Je n'isi isi] IV, 2016. Courtesy National Gallery of Zimbabwe.

Exhibition

Kudzanai Chiurai: We Need New Names

National Gallery of Zimbabwe
Harare

William Villalongo: Keep on Pushing

Exhibition

William Villalongo: Keep on Pushing

Susan Inglett Gallery
New York

William Kentridge: Thick Time: Installations and Stagings

Exhibition

William Kentridge: Thick Time: Installations and Stagings

Museum der Moderne Salzburg
Salzburg

Adam Broomberg and Oliver Chanarin, Tze’elim Military Base, Negev Desert (Chicago #2), from the series Chicago, 2006. Digital chromogenic print.

Exhibition

Adam Broomberg & Oliver Chanarin: Before the Event/After the Fact

Yale University Art Gallery
New Haven, Connecticut

Mary Lovelace O’Neal, Racism is Like Rain, Either it’s Raining or it’s Gathering Somewhere (detail), 1993; Acrylic on canvas, 86 x 138 in.; Mott-Warsh Collection, Flint, Michigan; © Mary Lovelace O’Neal

Exhibition

Magnetic Fields: Expanding American Abstraction, 1960s to Today

The National Museum of Women in the Arts
New York

El Anatsui, Resolution, 2016, Bottle caps, 320 x 336cm

Exhibition

El Anatsui: Meyina

Goodman Gallery
Johannesburg

Marlene Dumas, Skulls, 2011–15. Oil on canvas. Albertinum, Dresden.

Exhibition

Marlene Dumas: Skulls & Hope & Fear

Kupferstich-Kabinett & Albertinum
Dresden

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