Ravelle Pillay | Contemporary And

Exhibition

Ravelle Pillay, (Production Image) (2022) Commissioned and produced by Chisenhale Gallery. Image courtesy the artist.

Exhibition

Ravelle Pillay

Chisenhale Gallery
London

Na Chainkua Reindorf

Exhibition

Up to No Good

Nubuke Foundation
Accra

Ouattara Watts, Intercessor #1 (Detail), 2022. Courtesy of Galerie Cécile Fakhoury

Exhibition

Ouattara Watts in Dakar

Galerie Cécile Fakhoury
Dakar

Thibaut Bouedjoro-Camus, Djidji Ayokwe, 2022. Courtesy of Galerie Cecile Fakhoury

Exhibition

Thibaut Bouedjoro-Camus: Bonne nouvelle

Cécile Fakhoury
Abidjan

Used motor oil, decommissioned auto steel parts dissolved in nitric, sulphuric and hydrochloric acids, found objects on first grade plywood (Detail), 244 x 122cm. Image courtesy of the artist and Gallery 1957.

Exhibition

Jonathan Okoronkwo: Some things stay broken

Gallery 1957
Accra

Rosana Paulino, The Liability of Threads, 2022. Photo: Marek Kruszewski (Detail)

Exhibition

Rosana Paulino: The Liability of Threads

Kunstverein Braunschweig
Braunschweig

Nnenna Onuoha, AFTERLIVES, 2022. Courtesy of Galerie im Turm

Exhibition

Nnenna Onuoha: AFTERLIVES

Galerie im Turm
Berlin

Josèfa Ntjam, When the moon dreamed of the ocean (2022). Installation view at FACT Liverpool. Photo by Rob Battersby

Exhibition

Danielle Brathwaite-Shirley & Josèfa Ntjam

Arthur Timothy, GENESIS (Detail), 2022. Courtesy of Gallery 1957

Exhibition

Arthur Timothy: POSTCARDS FROM A PROMISED LAND

Gallery 1957
London

Zineb Sedira, Dreams Have No Titles (Detail), Venice Biennial 2022, Set design “Way of Life” © Thierry Bal

Exhibition

Zineb Sedira: Dreams Have No Titles

Hamburger Bahnhof – Nationalgalerie der Gegenwart
Berlin

Left to right:
1. Kamala Ishaq, *At the table*, Ink and acrylic on paper, 1976, 43.5 x
31.5cm
2.Issam Hafiez, *A Cry*, Acrylic on canvas, 2020, 80 x 80cm
3. Khaled Jarrar, *Concrete Palestine #3*, 2012, Mixed media (Reconstituted
concrete from apartheid wall), Variable dimensions
4. Reem Aljeally & Elhassan Elmuontasir, *Hunting for Chairs*,
Installation, Variable dimensions

Exhibition

The Forest and Desert School Revisited – Group Show

Circle Art Gallery
Nairobi

Wangechi Mutu, The End of eating Everything, 2014, Video animation, 8:10 minutes, Courtesy of the Artist, Gladstone Gallery, New York and Brussels, and Victoria Miro, London. Commissioned by the Nasher Museum of Art at Duke University, Durham, NC

Exhibition

In the Black Fantastic – Group Show

Kunsthal
Rotterdam

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