América Latina Magazine
All Editorial
Frestas – Art Triennial
Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic
Representing the Desires of the Community in the Work of Jeff Cán Xicay
The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus
Manuel Tzoc: Art as Embodied and Relational Poetry
Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize
Daniela Ortiz: Art as a Practice of International Solidarity
Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe
Histories of Ecology
C&AL’s Highlights of 2025 You Might Have Missed
2025 in Review
Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial
O projeto curatorial de Diane Lima, Depois que tudo foi dito, questiona a direção da produção artística e busca ampliar os limites da representação estética por meio de um exercício radical de imaginação.
Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Confronting the Absence of Latin America in Conversations on African Diasporic Art
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
Veja as obras de artistas da América Latina, incluindo Nádia Taquary, Oscar Murillo e Aislan Pankararu.
Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal
Esperanza de León: Curating Through Community Knowledge
2nd Bienal das Amazônias
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Denis Maksaens: Glitch and Representation in the Caribbean
I Am Monumental: The Power of African Roots
Flooded Memories
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Partindo de cosmologias africanas sobre o tempo, <em>Raízes: Começo, Meio e Começo</em> transcende a lógica ocidental de tempo como uma medida irreversível com início, meio e fim, propondo a ancestralidade como eixo fundamental para a compreensão e construção do presente e do futuro.
Fundação Bienal de São Paulo announces list of participants for its 36th edition
The Spiritual Technologies of Jamaican Maroons
Electric Dub Station: The Return of Tomorrow
Flowing Affections: Laryssa Machada’s Sensitive Geographies
Jesús Hilário-Reyes: Dissolving Notions of Group and Individual
Andrea Chung: Dematerialization to Subvert Commodification
Veronica Ryan: Unruly Objects
The Forgotten Asian Histories of Latin America
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Duality as an Invitation to Multiplicity
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
Além das galerias de exposições, os 14 andares do novo prédio do MASP abrangem salas multiúso, restaurante, café, salas de aula, loja, laboratório de conservação, depósitos e docas para carga e descarga de obras de arte.
MASF: An Art Museum that Connects Territory and Communities
LGBTQIA+ Diversity Stories
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
It Comes from the Head: A Straw Heritage
C& x NAM Critical Writing Workshop, New Orleans
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
Cédric Vincent escreve sobre a importância de recordar os eventos pan-africanos.
C&AL’s Highlights of 2024 You Might Have Missed
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]
A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
38º Panorama da Arte Brasileira: Mil graus
Tessa Mars Links the Migratory Experience to Haitian Spirituality
Mercosul Biennial announces artists and spaces for its next edition
Puerto Caribe
The Art of Translating and Vice Versa
<em>Navigating the Waves: Contemporary Cuban Photography</em> (Navegando as ondas: fotografia cubana contemporânea) explora a forma pela qual artistas da fotografia em Cuba navegaram a expressão artística sob um regime político severo, que alegava ter eliminado o racismo e o sexismo. Artistas como Juan Carlos Alom e René Peña contestam essas narrativas por meio de técnicas como a utilização de filmes vencidos e do simbolismo religioso afro-cubano.
Bienal das Amazônias anuncia curadora de sua segunda edição
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Orgullo Nacional
Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez
Afro-Indigenous Memory in the Work of Maria Lira Marques
THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress
C& Artists’ Edition #5 Zohra Opoku
