América Latina Magazine
All Editorial

2025 in Review

Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial

MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

MACAS amplía su colección de arte afropuertorriqueño

The Artists Forging Ecological Ties in Female Fugivity and Marronage

Caribbean Sounds: The Connective Possibilities of Radio

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean

The Order of New Arts opens a new cultural space in the United States

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

A Fundação Bienal de São Paulo anuncia a curadoria de Diane Lima para o Pavilhão do Brasil na 61ª Exposição Internacional de Arte – La Biennale di Venezia, em 2026. As artistas Rosana Paulino e Adriana Varejão, selecionadas pela curadora, integram o projeto curatorial Comigo ninguém pode, que toma as ambiguidades da planta homônima como metáfora de proteção, toxicidade e resiliência.

Tadáskía Wins the 2025 K21 Global Art Award

Introducing the C& Cyclopedia

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Esperanza de León: Curating Through Community Knowledge

2nd Bienal das Amazônias

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

Librería Ireti, Havana, Cuba

Eva de Souza: Textile Experimentation as Poetic Protest

A k u z u r u: Art, Post-humanism and Healing

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

Denis Maksaens: Glitch and Representation in the Caribbean

Flooded Memories

The Entanglement of Migration, Indigenous Peoples, and Colonialism

Roots: Beginning, Middle, and Beginning

Fundação Bienal de São Paulo announces list of participants for its 36th edition

The Spiritual Technologies of Jamaican Maroons

Electric Dub Station: The Return of Tomorrow

Flowing Affections: Laryssa Machada’s Sensitive Geographies

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

Andrea Chung: Dematerialization to Subvert Commodification

Veronica Ryan: Unruly Objects

The Forgotten Asian Histories of Latin America

Raíces y renacimiento: Mujeres Dominicanas en el Arte

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

What’s Behind Decolonial Movements in Brazil?

MASP inaugura novo edifício

MASF: An Art Museum that Connects Territory and Communities

LGBTQIA+ Diversity Stories

Biophillick: Connecting Ancestries Through Technology

Atlantic Threads

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

Ana Pi: Knowledge Does Not Disappear

Celebration and Resistance in Ventura Profana’s Films

MUNCAB inaugura novo espaço dedicado à arte afro-brasileira

It Comes from the Head: A Straw Heritage

A chamada aberta convida pessoas Negras escritoras que vivem em Nova Orleans para participar da Oficina de Escrita Crítica da C& x NAM. Trata-se de uma imersão de três dias conduzida pelas facilitadoras <b>Nohora Arrieta Fernández</b> e <b>Sherae Rimpsey</b>. A oficina acontecerá na <strong>Tulane University</strong>, em Nova Orleans, de <strong>27 a 29 de março de 2025</strong>.

Imagining perversely with Madeline Jiménez Santil’s Art

HOA Gallery is redesigned as a non-profit initiative

A Call to History

C&AL’s Highlights of 2024 You Might Have Missed

An Afro-Indigenous Reawakening: The Year in Review

Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines

Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]

A Biennial that relates sound to space and bodies

Bring Home your C& Collectors Box!

38º Panorama da Arte Brasileira: Mil graus

Tessa Mars Links the Migratory Experience to Haitian Spirituality

Puerto Caribe

The Art of Translating and Vice Versa

Navigating Scarcity, Race and Religion in Cuban Photography

Bienal das Amazônias anuncia curadora de sua segunda edição

Not All Travellers Walk Roads – Of Humanity as Practice

Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance

Orgullo Nacional

Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez

Afro-Indigenous Memory in the Work of Maria Lira Marques

THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress

C& Artists’ Edition #5 Zohra Opoku

Amanda Carneiro nos fala sobre eventos históricos, como o Festac '77 em Lagos, onde se promoveram diálogos transformadores que imaginaram um mundo radicalmente novo. A curadora brasileira também destaca a importância de produções artísticas que operam fora de sistemas dominantes, compartilhando momentos emocionantes que presenciou em Veneza.

MUNCH Award: Rosana Paulino

Poetry: Ruth Ige

Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris

Mãos: 35 anos da Mão Afro-Brasileira

Sofía Salazar Rosales: A Poetic Journey Through the Material

Centro Cultural BanReservas and Universidad Autónoma de Santo Domingo x C& Critical Writing Workshop

Art and Identity in the Caribbean

Carnival, Body, and Territory

Johan Samboni: Rewriting Urban Histories

Introduction to the employee manual

Ismael David and the Foundations of Exu



