América Latina Magazine
All Editorial
C&AL’s Highlights of 2025 You Might Have Missed
2025 in Review
Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial
MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art
Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Confronting the Absence of Latin America in Conversations on African Diasporic Art
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Neste texto experimental, a escritora Sherae Rimpsey responde à poética e à interioridade que vivenciou em uma grande exposição em Paris, composta por obras de artistas da África, do Caribe e da Diáspora.
Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal
Esperanza de León: Curating Through Community Knowledge
2nd Bienal das Amazônias
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Com uma videoarte híbrida e inspirada no glitch, Maksaens Denis confronta os olhares coloniais, a violência estrutural e o corpo sacrificado, colocando em foco as subjetividades queer, racializadas e marginalizadas. Suas obras instigam o público a repensar o poder, a identidade e a fragilidade compartilhada no mundo fragmentado de hoje.
I Am Monumental: The Power of African Roots
Flooded Memories
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Roots: Beginning, Middle, and Beginning
Fundação Bienal de São Paulo announces list of participants for its 36th edition
The Spiritual Technologies of Jamaican Maroons
Electric Dub Station: The Return of Tomorrow
Flowing Affections: Laryssa Machada’s Sensitive Geographies
Jesús Hilário-Reyes: Dissolving Notions of Group and Individual
Andrea Chung: Dematerialization to Subvert Commodification
Veronica Ryan: Unruly Objects
The Forgotten Asian Histories of Latin America
Raízes e renascimento examina como as artistas dominicanas honram sua história ao mesmo tempo que reformulam o significado do pertencimento em uma cultura em evolução.
Duality as an Invitation to Multiplicity
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
MASP inaugura novo edifício
MASF: An Art Museum that Connects Territory and Communities
LGBTQIA+ Diversity Stories
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
Com curadoria da historiadora da Arte Simone Cambridge, <em>It comes from the head: A Straw Heritage</em> (Vem da cabeça: Um legado de palha) apresenta a olha de quatro artistas: Tamika Galanis, Anina Major, Jodi Minnis, e Averia Wright.
C& x NAM Critical Writing Workshop, New Orleans
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
A Call to History
C&AL’s Highlights of 2024 You Might Have Missed
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]
A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
38º Panorama da Arte Brasileira: Mil graus
Centrada na canção de ninar <em>Dodo titit</em>, a exposição indaga como indivíduos deslocados mantêm conexões com sua terra natal através de sua relação com o território. Tessa Mars cria cenas surreais inspiradas no imaginário do vodu, incluindo seres híbridos que representam orientação e conhecimento ancestrais.
Mercosul Biennial announces artists and spaces for its next edition
Puerto Caribe
The Art of Translating and Vice Versa
Navigating Scarcity, Race and Religion in Cuban Photography
Bienal das Amazônias anuncia curadora de sua segunda edição
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Orgullo Nacional
Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez
Afro-Indigenous Memory in the Work of Maria Lira Marques
THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress
Estamos felizes de apresentar a nova C& Artists’ Edition, com Zohra Opoku – uma de nossas colaboradoras desde o início. Cada uma de suas 25 obras foi impressa em tela e bordada à mão pela artista em seu ateliê em Acra.
Amanda Carneiro: Curation That Operates Outside Dominant Systems
MUNCH Award: Rosana Paulino
Poetry: Ruth Ige
Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris
Mãos: 35 anos da Mão Afro-Brasileira
Sofía Salazar Rosales: A Poetic Journey Through the Material
Centro Cultural BanReservas and Universidad Autónoma de Santo Domingo x C& Critical Writing Workshop
Art and Identity in the Caribbean
Carnival, Body, and Territory
Johan Samboni: Rewriting Urban Histories
Introduction to the employee manual
