América Latina Magazine
All Editorial

The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus

Manuel Tzoc: Art as Embodied and Relational Poetry

Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize

Daniela Ortiz: Art as a Practice of International Solidarity

Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe

Histories of Ecology

C&AL’s Highlights of 2025 You Might Have Missed

2025 in Review

Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial

MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

MACAS amplía su colección de arte afropuertorriqueño

Juana Valdés, Deborah Jack y Jamilah Sabur reinterpretan el Caribe como sitio de memoria y resistencia ecológica. Valdés explora la migración y la identidad afrocubana a través del agua como metáfora del desplazamiento y la curación, mientras Jack usa la sal para evocar el mar como testigo del trauma climático, y Sabur recurre a la geología y el lenguaje para excavar historias negras e indígenas enterradas encuadrando el marronage como vuelo físico y transformación temporal.

Caribbean Sounds: The Connective Possibilities of Radio

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean

The Order of New Arts opens a new cultural space in the United States

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026

Tadáskía Wins the 2025 K21 Global Art Award

Introducing the C& Cyclopedia

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Esperanza de León: Curating Through Community Knowledge

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

Librería Ireti, Havana, Cuba

Eva de Souza: Textile Experimentation as Poetic Protest

A k u z u r u: Art, Post-humanism and Healing

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

Denis Maksaens: Glitch and Representation in the Caribbean

I Am Monumental: The Power of African Roots

Flooded Memories

The Entanglement of Migration, Indigenous Peoples, and Colonialism

Roots: Beginning, Middle, and Beginning

Fundação Bienal de São Paulo announces list of participants for its 36th edition

The Spiritual Technologies of Jamaican Maroons

El Museo de Arte Contemporáneo de Panamá (MAC) se adapta para crear un recorrido exploratorio por la obra de dos artistas: el panameño Antonio José Guzmán y la serbia Iva Jankovic. Juntos crean un palimpsesto sobre el índigo, sus capas geopolíticas, cartográficas y los constructos culturales e identitarios entre Panamá y Abya Yala.

Flowing Affections: Laryssa Machada’s Sensitive Geographies

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

Andrea Chung: Dematerialization to Subvert Commodification

Veronica Ryan: Unruly Objects

The Forgotten Asian Histories of Latin America

Raíces y renacimiento: Mujeres Dominicanas en el Arte

Duality as an Invitation to Multiplicity

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

What’s Behind Decolonial Movements in Brazil?

MASP inaugura novo edifício

MASF: An Art Museum that Connects Territory and Communities

LGBTQIA+ Diversity Stories

Nominado para el premio Pipa en 2023, Biophillick es un artista que pone a dialogar tecnología, naturaleza y espiritualidad. Sus obras recurren a múltiples lenguajes para materializar un universo trascendental que incluye máscaras artesanales y música electrónica. El artista rescata tradiciones para imaginar futuros ancestrales.

Atlantic Threads

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

Ana Pi: Knowledge Does Not Disappear

Celebration and Resistance in Ventura Profana’s Films

MUNCAB inaugura novo espaço dedicado à arte afro-brasileira

It Comes from the Head: A Straw Heritage

C& x NAM Critical Writing Workshop, New Orleans

Imagining perversely with Madeline Jiménez Santil’s Art

HOA Gallery is redesigned as a non-profit initiative

A Call to History

C&AL’s Highlights of 2024 You Might Have Missed

An Afro-Indigenous Reawakening: The Year in Review

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El premio honra a artistas que impulsan el cambio social y el trabajo comunitario, entre ellos Sana Na N’Hada, Myrlande Constant, Rosa Chávez y Va-Bene Elikem Fiatsi.
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Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]

A Biennial that relates sound to space and bodies

Bring Home your C& Collectors Box!

38º Panorama da Arte Brasileira: Mil graus

Tessa Mars Links the Migratory Experience to Haitian Spirituality

Mercosul Biennial announces artists and spaces for its next edition

Puerto Caribe

The Art of Translating and Vice Versa

Navigating Scarcity, Race and Religion in Cuban Photography

Bienal das Amazônias anuncia curadora de sua segunda edição

Not All Travellers Walk Roads – Of Humanity as Practice

Anaïs Cheleux es una fotógrafa y artista guadalupeña cuyo trabajo se centra en el carnaval y la identidad afrodescendiente, centrándose en el gwo siwo, un jarabe que simboliza la liberación y el orgullo. Su trabajo combina la fotografía y la performance, abordando temas de identidad, espiritualidad, herencia cultural y expresión corporal.

Orgullo Nacional

Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez

Afro-Indigenous Memory in the Work of Maria Lira Marques

THE SOUL STATION
Announcement of Second Women Photographers International Archive (WOPHA) Congress

C& Artists’ Edition #5 Zohra Opoku

Amanda Carneiro: Curation That Operates Outside Dominant Systems

MUNCH Award: Rosana Paulino

Poetry: Ruth Ige

Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris

Mãos: 35 anos da Mão Afro-Brasileira

