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Sound

C& Sound features a selection of discursive content published in C& Magazine. Listen to artist interviews, reviews, features, and opinions relating to crucial discussions around contemporary art.

Felicia Abban: Behind the Scenes

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“The passport that does not pass ports”

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The Consistency in Howardena Pindell’s Art and Defiance

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Robert Reed: Re-entering the US American Art Canon

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The Fantasy of Aspiration in the Paintings of Shannon Tamara Lewis

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The Abstract Thinking of Mildred Thompson

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Jack Whitten: A Painter’s Painter Gets His Long-Overdue Recognition

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Looking Beyond Documentation of Afro-Iranians

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Depictions of Queer Black Love for the Digital Age

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How 1960s Algeria Became a “Mecca for revolutionaries”

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"The spectacle of Black trauma“: Why Double Standards in Representation Need to End in the Arts

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Depictions of Queer Black Love for the Digital Age

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Art and Stereotypes: Playing with Race

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Alma W. Thomas and the Treasures of the Natural World

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Maren Hassinger: “We are not alive to make money”

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What Collective Remembrance Is For

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The Origins of Feminist Intersectionality

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How Warhol Erased the Identity of His Black Trans Sitters

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“Germanomania” and the Myth of Nationalism

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Sam Gilliam: Between Structure and Improvisation

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“The passport that does not pass ports” - Contemporary And

Mobility in the arts, geographical or otherwise, is often seen as almost a requirement. However, COVID-19 has put to the test this very idea and aspiration. In the series

How Warhol Erased the Identity of His Black Trans Sitters

Art historian Gürsoy Doğtaş analyses the power imbalances between Warhol and his BIPoC queer and trans sitters of lower Manhattan.