Magazine
All Editorial
Thenjiwe Niki Nkosi Frames Printmaking As A Relay Process
Seed Archives: Thabo Weaves a Cocoon for Listening
Tanka Fonta wins the Wi Di Mimba Wi Prize 2026
Olukemi Lijadu: Feedback, Friction and Black Atlantic Music
Melvin Edwards (1937–2026)
Moving Parts: Yinka Bernie's Sonic Bridge Across Lagos
Naafia Naahemaa: What Appears Solid Is Already In Motion
Pre-Sale! C& Artists’ Editions #6: Thenjiwe Niki Nkosi
Sounding the Ocean: Spiral Networks of Remembrance and Elation
Investec Cape Town Art Fair 2026
Artist-Led Organizations in Focus At The 61st Venice Art Biennale
Notes on Editorial Dis/Continuities
In collaboration, C& selects a series of podcast episodes by The Museum of Black Futures.
The Olympia Effect: Who Gets Credit for Sexual Liberation On/Off Screen?
The Deconstructive Lens of Ngadi Smart: From Drag to Climate Change
We're Still Here: Thero Makepe’s Visual Jazz
C& Highlights of 2025
The Museum of Black Futures
The Re:assemblages Symposium: How Might We Gather Differently?
Nnena Kalu wins Turner Prize 2025
On Ghosts and The Moving Image: Edward George’s Black Atlas
Caribbean Sounds: The Connective Possibilities of Radio
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
Noel W. Anderson: The Spirit Will Not Descend Without Song
This hybrid conversation between artist-curators Ethel Tawe and Neema Githere engages with the expansiveness of the digital diaspora and what it means to practise across time zones. Githere sheds light on exile and relational repair on and offline.
Rest in/as Freedom: kiarita and Black Politics of Liberation
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Tadáskía Wins the 2025 K21 Global Art Award
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
The 36th São Paulo Biennial
A Collector’s Guide to São Paulo
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Steve McQueen: The Bassline As Sonic Intelligence
La directrice artistique Naomi Beckwith annonce une équipe entièrement féminine pour la documenta 16, composée de Carla Acevedo-Yates, Romi Crawford, Mayra A. Rodríguez Castro et Xiaoyu Weng. L’exposition se tiendra à Kassel du 12 juin au 19 septembre 2027.
Bernice Mulenga’s LMK WHEN U REACH
Mapping Literary Circuits with Bao Books From Tunis to Cairo
Alick Phiri and William Matlala: I’ll Be Your Mirror
Mangrove Ecologies: Grounded Forms of Questioning in the Art/World
Dignity Under Duress: Black Figuration Beyond the Global Art Market
Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra
Paula Nascimento and Angela Harutyunyan Announced as Curators of Sharjah Biennial 17
Sudan Art Archive Aims to Reclaim a Canon from Afar
Fundação Bienal de São Paulo Announces List of Participants for its 36th Edition
Samson Mnisi: A Master Posthumously Receives His Due
Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
Dans le prolongement d'une conversation en cours autour de l'évolution des pratiques de l'image en Afrique, l'écrivaine Kim M. Reynolds se penche sur l'ouvrage d'Amy Sall, «The African Gaze» : Photography, Cinema and Power d'Amy Sall, ainsi que le contexte historique plus étendu et l'infrastructure des pratiques africaines en matière de production d'images.
Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision
‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies
Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025
Koyo Kouoh (1967 – 2025)
Dispatches from Tint Library’s London Pop-Up
Kapwani Kiwanga Wins the 2025 Joan Miró Prize
FESPACO 2025 Made Space for the Ceremony of African Cinema
Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?
Imagining a Future for the Arts in the US
‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo
Stewarding an Antidisciplinary Practice
Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief
Cette collaboration entre l'Académie des Traces et C& explore les traces de l'héritage colonial aujourd'hui à travers plusieurs textes de chercheur/euse/s émergentes et de professionnel/le/s des musées des continents africain et européen.
Thinkers and Titles: On Black German Literary Tradition
AWARE (Archives of Women Artists, Research & Exhibitions)
Ellipse Prize 2025 Announces Finalists of 5th Edition
ROM Announces Tandazani Dhlakama as Curator of Global Africa
In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026
Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures
Dr. Zoe Whitley Named Curator of Art Toronto Focus Exhibition
Ladji Diaby’s Sampling Sensibilities Are Material and Time-Bending
Modupeola Fadugba Wins The Norval Sovereign African Art Prize 2025
On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
Kampala Calling: The African and Diaspora Artists Flocking to Uganda
The multifacted work of Unidigrazz, rooted in the area of Mem Martins, invites us to revisit domestic scenes as a way to critically reclaim public space.
To Spring From Salted Earth
The Secret Apothecary
Shades of Green
AWU Library
C& Highlights of 2024
The Resilient Spirit of the Bamako Biennale
Naomi Beckwith Appointed Artistic Director for documenta 16
Maheder Haileselassie Tadesse Wins Main Prize at Rencontres de Bamako
, so I dream: An Ode to Stuart Hall
C& Builds a Living Digital Archive
Bring Home your C& Collectors Box!
