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1803 ARTICLES

We're Still Here: Thero Makepe’s Visual Jazz

C& Highlights of 2025

The Museum of Black Futures

The Re:assemblages Symposium: How Might We Gather Differently?

Nnena Kalu wins Turner Prize 2025

On Ghosts and The Moving Image: Edward George’s Black Atlas

Caribbean Sounds: The Connective Possibilities of Radio

Werewere Liking: Of Spirit, Sound, and the Shape of Transmission

Black Canadian Print Cultures: Of Quiet and Enduring Legacies

On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones

Rest in/as Freedom: kiarita and Black Politics of Liberation

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge

Introducing the C& Cyclopedia

Tadáskía Wins the 2025 K21 Global Art Award

Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026

The Art of Dialogue: Living Archives, Memory and Practice

A Collector’s Guide to São Paulo

Steve McQueen: The Bassline As Sonic Intelligence

Naomi Beckwith Unveils Core Artistic Team for documenta 16

Mapping Literary Circuits with Bao Books in Tunis and Cairo

Mangrove Ecologies: Grounded Forms of Questioning in the Art/World

Dignity Under Duress: Black Figuration Beyond the Global Art Market

Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra

Sudan Art Archive Aims to Reclaim a Canon from Afar

Fundação Bienal de São Paulo Announces List of Participants for its 36th Edition

Samson Mnisi: A Master Posthumously Receives His Due

Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene

Image Interventions in "The African Gaze"

Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies

Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025

Koyo Kouoh (1967 – 2025)

Dispatches from Tint Library’s London Pop-Up

Kapwani Kiwanga Wins the 2025 Joan Miró Prize

FESPACO 2025 Made Space for the Ceremony of African Cinema

Imagining a Future for the Arts in the US

‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo

Stewarding an Antidisciplinary Practice

Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief

Examining De/Colonial Traces Through Colonial Collections

Thinkers and Titles: On Black German Literary Tradition

AWARE (Archives of Women Artists, Research & Exhibitions)

Ellipse Prize 2025 Announces Finalists of 5th Edition

ROM Announces Tandazani Dhlakama as Curator of Global Africa

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures

Dr. Zoe Whitley Named Curator of Art Toronto Focus Exhibition

Modupeola Fadugba Wins The Norval Sovereign African Art Prize 2025

On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

Kampala Calling: The African and Diaspora Artists Flocking to Uganda

Unidigrazz: A Collective Practice and a Holding Place

To Spring From Salted Earth

The Secret Apothecary

Shades of Green

AWU Library

C& Highlights of 2024

The Resilient Spirit of the Bamako Biennale

Naomi Beckwith Appointed Artistic Director for documenta 16

, so I dream: An Ode to Stuart Hall

C& Builds a Living Digital Archive

Bring Home your C& Collectors Box!

Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines

Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026

MACAAL in Marrakech Will Reopen in 2025 After Undergoing Significant Renovations

Massoud Hayoun: Making Art To Say Things Out Loud

Still a Powerful Platform for Critical Dialogue around Art, Ecology, and History

Agnès Brezephin Awarded the Grand Prix Léopold Sédar Senghor at This Year’s Dakar Biennale

Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’

Tracing the Then and Now of Restitution Through Mati Diop’s Documentary Fantasy Dahomey

36th Bienal de São Paulo Reveals Title, Concept, Partnerships, and Visual Identity

ART X Lagos 2024 Reveals Theme, Gallery List and Program

Gaëlle Choisne is the Winner of Prix Marcel Duchamp 2024

Fotogalleriet Announces Nkule Mabaso as Director from 2024 to 2028

Pamela Phatsimo Sunstrum: A Dramatic Painted Mystery Investigates Ideas about Women’s Power

Five Things You Need to Know About the John Randle Center Before It Opens

Filipa Bossuet: Performance as Conversation, Intimacy as Power
C& Artists’ Editions #5 Zohra Opoku

Zohra Opoku: Empowering Children of Color to Love Themselves

Get Your C& Collector’s Box Now!

Agape Harmani: Trauma as an Essential Part of Diaspora

Sarah Ama Duah: A Journey Towards Building Contemporary Monuments

Rwanda’s Creative Sector Holds Vast Potential Through Women Artists

Rencontres de Bamako 14 Reveals Artist List for 2024

Breaking New Ground with an Ethiopian Pavilion

I thought I knew the depths of you (Blackness)

From the Collective Narrative to the Singularities of North African Identities: A Dive into the World of Syncretical

N’Goné Fall is Part of the Documenta Finding Committee







