América Latina Magazine
texts
Transforming Memories of State Violence through Poetic Justice
Seed Archives: Celebrating African and Caribbean Design and Culture in London
Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic
Representing the Desires of the Community in the Work of Jeff Cán Xicay
The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus
Manuel Tzoc: Art as Embodied and Relational Poetry
Peruvian artist Antonio Paucar wins 11th edition of Artes Mundi Prize
Daniela Ortiz: Art as a Practice of International Solidarity
Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe
C&AL’s Highlights of 2025 You Might Have Missed
2025 in Review
Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial
Diane Lima’s curatorial project, After It’s All Said, questions the direction of artistic production and seeks to expand the limits of aesthetic representation through a radical exercise of imagination.
Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar
MACAS amplía su colección de arte afropuertorriqueño
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Confronting the Absence of Latin America in Conversations on African Diasporic Art
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
Third Horizon curates a new Cinelogue program exploring decolonial cinema and liberatory imagination from the Caribbean
The Order of New Arts opens a new cultural space in the United States
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026
Tadáskía Wins the 2025 K21 Global Art Award
Introducing the C& Cyclopedia
Inspirada por la escritora Conceição Evaristo, la instalación del colectivo brasilero Irmandade Vilanismo crea un pacto simbólico en torno a la vida. El grupo, formado por diez artistas negros y periféricos, ocupa el espacio de la Bienal como si fuera un atelier y un manifiesto por la dignidad, la tierra y contra las expectativas racistas.
Esperanza de León: Curating Through Community Knowledge
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Denis Maksaens: Glitch and Representation in the Caribbean
I Am Monumental: The Power of African Roots
The Entanglement of Migration, Indigenous Peoples, and Colonialism
Fundação Bienal de São Paulo announces list of participants for its 36th edition
The Spiritual Technologies of Jamaican Maroons
Flowing Affections: Laryssa Machada’s Sensitive Geographies
Jesús Hilário-Reyes: Dissolving Notions of Group and Individual
Un ensayo sobre el uso que hace la artista de lo efímero para subvertir la mercantilización mientras desarrollando una práctica artística como justicia social.
The Forgotten Asian Histories of Latin America
Duality as an Invitation to Multiplicity
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
What’s Behind Decolonial Movements in Brazil?
MASP inaugura novo edifício
MASF: An Art Museum that Connects Territory and Communities
Biophillick: Connecting Ancestries Through Technology
Atlantic Threads
The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin
Ana Pi: Knowledge Does Not Disappear
Celebration and Resistance in Ventura Profana’s Films
MUNCAB inaugura novo espaço dedicado à arte afro-brasileira
Este taller de escritura invita a escritores negros residentes de Nueva Orleans a participar de un Taller de Escritura Crítica C& x NAM, de tres días de duración, coordinado por las tutoras Nohora Arrieta Fernández y Sherae Rimpsey. El taller tendrá lugar en la Tulane University del 27 al 29 de marzo en Nueva Orleans.
Imagining perversely with Madeline Jiménez Santil’s Art
HOA Gallery is redesigned as a non-profit initiative
A Call to History
C&AL’s Highlights of 2024 You Might Have Missed
An Afro-Indigenous Reawakening: The Year in Review
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Caribbean Musicality in the Work of Valerie Brathwaite
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The World Tree [El árbol del mundo]
A Biennial that relates sound to space and bodies
Bring Home your C& Collectors Box!
Tessa Mars Links the Migratory Experience to Haitian Spirituality
Mercosul Biennial announces artists and spaces for its next edition
La traducción, al igual que el arte, trasciende los límites lingüísticos, culturales y temporales. De modo semejante, la encruzilhada implica la transmutación de sedimentos culturales y ancestrales. La práctica de traducción de Jess Oliveira se nutre profundamente de ese concepto y busca hacer re/sonar el pensamiento negro a través de las lenguas, el tiempo y el espacio.
Navigating Scarcity, Race and Religion in Cuban Photography
Bienal das Amazônias anuncia curadora de sua segunda edição
Not All Travellers Walk Roads – Of Humanity as Practice
Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance
Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez
Afro-Indigenous Memory in the Work of Maria Lira Marques
Announcement of Second Women Photographers International Archive (WOPHA) Congress
C& Artists’ Edition #5 Zohra Opoku
Amanda Carneiro: Curation That Operates Outside Dominant Systems
MUNCH Award: Rosana Paulino
Poetry: Ruth Ige
Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris
Influenciada por las herencias ecuatoriana y cubana, y formada gracias a su educación y residencias en París, Lyon, y Ámsterdam, Salazar Rosales mezcla la poesía visual con la sensibilidad dancística. Su método combina la planificación conceptual con la espontaneidad material, reuniendo objetos en una coreografía congelada.
Centro Cultural BanReservas and Universidad Autónoma de Santo Domingo x C& Critical Writing Workshop
Art and Identity in the Caribbean
Carnival, Body, and Territory
Johan Samboni: Rewriting Urban Histories
Introduction to the employee manual
Ismael David and the Foundations of Exu
Bienal das Amazônias: Portrait of a Complex Region
Caryl* Ivrisse Crochemar
Fidel Ernesto: Transitioning between the Digital and the Physical
Paul-Aimé William: Afro-Feminism and Curation in Guiana-Abya-Yala
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