Magazine
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Tanka Fonta wins the Wi Di Mimba Wi Prize 2026
Olukemi Lijadu: Feedback, Friction and Black Atlantic Music
Melvin Edwards (1937–2026)
Moving Parts: Yinka Bernie's Sonic Bridge Across Lagos
Naafia Naahemaa: What Appears Solid Is Already In Motion
Pre-Sale! C& Artists’ Editions #6: Thenjiwe Niki Nkosi
Sounding the Ocean: Spiral Networks of Remembrance and Elation
Investec Cape Town Art Fair 2026
Artist-Led Organizations in Focus At The 61st Venice Art Biennale
Notes on Editorial Dis/Continuities
On Rematriation and Spiritual Reparations
The Olympia Effect: Who Gets Credit for Sexual Liberation On/Off Screen?
Writer Aude Konan converses with multidisciplinary artist Ngadi Smart about two distinct projects that challenge preconceived views of the ‘normal’, the ‘beautiful’, and the ‘right ‘in West African societies and beyond.
We're Still Here: Thero Makepe’s Visual Jazz
C& Highlights of 2025
The Museum of Black Futures
The Re:assemblages Symposium: How Might We Gather Differently?
Nnena Kalu wins Turner Prize 2025
On Ghosts and The Moving Image: Edward George’s Black Atlas
Caribbean Sounds: The Connective Possibilities of Radio
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
Noel W. Anderson: The Spirit Will Not Descend Without Song
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Rest in/as Freedom: kiarita and Black Politics of Liberation
In this experimental text, author Sherae Rimpsey responds to the poetics and interiority she experienced in a major Paris exhibition of works by African, African American, and Caribbean artists.
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Tadáskía Wins the 2025 K21 Global Art Award
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
The 36th São Paulo Biennial
A Collector’s Guide to São Paulo
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Steve McQueen: The Bassline As Sonic Intelligence
Naomi Beckwith Unveils Core Artistic Team for documenta 16
Bernice Mulenga’s LMK WHEN U REACH
Tracing the roadmap that necessitated the creation of Bao Books and later the Moving Forward project, writer Imen Zarouk curates a selection of titles telling stories on North African culture, exchange and movement.
Alick Phiri and William Matlala: I’ll Be Your Mirror
Mangrove Ecologies: Grounded Forms of Questioning in the Art/World
Dignity Under Duress: Black Figuration Beyond the Global Art Market
Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra
Paula Nascimento and Angela Harutyunyan Announced as Curators of Sharjah Biennial 17
Sudan Art Archive Aims to Reclaim a Canon from Afar
Fundação Bienal de São Paulo Announces List of Participants for its 36th Edition
Samson Mnisi: A Master Posthumously Receives His Due
Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
Image Interventions in "The African Gaze"
Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision
In the context of her recent exhibition at the Centre for Contemporary Art (CCA) Lagos, curator Favour Ritaro reflects on learning to work with constraints and relying on the strong community of practitioners built by CCA founder, Bisi Silva. Her practice remains in conversation with the renowned late Nigerian curator.
Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025
Koyo Kouoh (1967 – 2025)
Dispatches from Tint Library’s London Pop-Up
Kapwani Kiwanga Wins the 2025 Joan Miró Prize
FESPACO 2025 Made Space for the Ceremony of African Cinema
Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?
Imagining a Future for the Arts in the US
‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo
Stewarding an Antidisciplinary Practice
Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief
Examining De/Colonial Traces Through Colonial Collections
Thinkers and Titles: On Black German Literary Tradition
In this series, C& explores special book collections. This time, Keren Lasme shares her top five books from the queer-feminist space AWARE in Paris.
Ellipse Prize 2025 Announces Finalists of 5th Edition
ROM Announces Tandazani Dhlakama as Curator of Global Africa
In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026
Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures
Dr. Zoe Whitley Named Curator of Art Toronto Focus Exhibition
Ladji Diaby’s Sampling Sensibilities Are Material and Time-Bending
Modupeola Fadugba Wins The Norval Sovereign African Art Prize 2025
On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
Kampala Calling: The African and Diaspora Artists Flocking to Uganda
Unidigrazz: A Collective Practice and a Holding Place
To Spring From Salted Earth
Cynthia Nyakiro Ngunjiri presents a visual art project in process featuring plant motifs inspired by her family’s generational knowledge of medicinal plants.
Shades of Green
AWU Library
C& Highlights of 2024
The Resilient Spirit of the Bamako Biennale
Naomi Beckwith Appointed Artistic Director for documenta 16
Maheder Haileselassie Tadesse Wins Main Prize at Rencontres de Bamako
, so I dream: An Ode to Stuart Hall
C& Builds a Living Digital Archive
Bring Home your C& Collectors Box!
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026
