Magazine
All Editorial
Sounding the Ocean: Spiral Networks of Remembrance and Elation
Investec Cape Town Art Fair 2026
Artist-Led Organizations in Focus At The 61st Venice Art Biennale
Notes on Editorial Dis/Continuities
On Rematriation and Spiritual Reparations
The Olympia Effect: Who Gets Credit for Sexual Liberation On/Off Screen?
The Deconstructive Lens of Ngadi Smart: From Drag to Climate Change
We're Still Here: Thero Makepe’s Visual Jazz
C& Highlights of 2025
The Museum of Black Futures
The Re:assemblages Symposium: How Might We Gather Differently?
Nnena Kalu wins Turner Prize 2025
In an audiovisual response to an archive at the Warburg Institute, Black Audio Film Collective founding member Edward George asks individual and institutional questions on the state of Blackness in the archive: “a story of ghosts in visual fragments.” In conversation with writer Yaa Addae, George shares references and threads of reasoning that collide in the exhibition as “mapping the movement of images of race through time.”
Caribbean Sounds: The Connective Possibilities of Radio
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
Noel W. Anderson: The Spirit Will Not Descend Without Song
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Rest in/as Freedom: kiarita and Black Politics of Liberation
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Tadáskía Wins the 2025 K21 Global Art Award
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
As part of the public talks program at FNB Art Joburg, C& curated an intergenerational exchange between artist Sam Nhlengethwa, C& Director Yvette Mutumba, and writer Gillian Fleischmann, titled “The Art of Dialogue: Living Archives, Memory and Practice.” Reflecting on the conversation, Fleischmann argues that intergenerational exchange is a lived embodiment of the medium collage – a generative site of transition.
The 36th São Paulo Biennial
A Collector’s Guide to São Paulo
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Steve McQueen: The Bassline As Sonic Intelligence
Naomi Beckwith Unveils Core Artistic Team for documenta 16
Bernice Mulenga’s LMK WHEN U REACH
Mapping Literary Circuits with Bao Books in Tunis and Cairo
Alick Phiri and William Matlala: I’ll Be Your Mirror
Mangrove Ecologies: Grounded Forms of Questioning in the Art/World
Dignity Under Duress: Black Figuration Beyond the Global Art Market
Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra
Paula Nascimento and Angela Harutyunyan Announced as Curators of Sharjah Biennial 17
Sudan’s cultural memory has long been under attack —added to decades of state censorship are the effects of the devastating ongoing war that began in April 2023. As museums are looted and studios destroyed, the Sudan Art Archive, led by Reem Aljeally and a network of artists spread from Khartoum to Muscat, has recently emerged with the aim of both memorializing art, stories, and identities erased on the ground and facilitating solidarity in the diaspora. Through digital preservation, and with an eye on the future, it hopes to reclaim narrative power in exile – one pixel at a time.
Fundação Bienal de São Paulo Announces List of Participants for its 36th Edition
Samson Mnisi: A Master Posthumously Receives His Due
Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
Image Interventions in "The African Gaze"
Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision
‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies
Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025
Koyo Kouoh (1967 – 2025)
Dispatches from Tint Library’s London Pop-Up
Kapwani Kiwanga Wins the 2025 Joan Miró Prize
FESPACO 2025 Made Space for the Ceremony of African Cinema
The two artists exchange thoughts on their common interest in the interplay of technology and culture, and how the tools we use reshape us.
Imagining a Future for the Arts in the US
‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo
Stewarding an Antidisciplinary Practice
Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief
Examining De/Colonial Traces Through Colonial Collections
Thinkers and Titles: On Black German Literary Tradition
AWARE (Archives of Women Artists, Research & Exhibitions)
Ellipse Prize 2025 Announces Finalists of 5th Edition
ROM Announces Tandazani Dhlakama as Curator of Global Africa
In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026
Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures
Dr. Zoe Whitley Named Curator of Art Toronto Focus Exhibition
In a subversive reconfiguration of images and objects from his immediate surroundings, artist Ladji Diaby’s solo exhibition "No One Has Ever Called Their Child Hunger” uses photo transfer processes, memes, gaming, video, film stills, and other materials to conjure a cosmos of his own. In an echoing text by Cynthia Igbokwe, we unpack how the artist’s sampling practice breaks out of the “white cube”, into and beyond a “collective common sense”.
Modupeola Fadugba Wins The Norval Sovereign African Art Prize 2025
On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
Kampala Calling: The African and Diaspora Artists Flocking to Uganda
Unidigrazz: A Collective Practice and a Holding Place
To Spring From Salted Earth
The Secret Apothecary
Shades of Green
AWU Library
C& Highlights of 2024
The Resilient Spirit of the Bamako Biennale
Naomi Beckwith Appointed Artistic Director for documenta 16
Additional prizes were awarded to Wilfried Vanie and Victor Adewale, with honorable mentions for Seyba Keita, Dior Thiam, and John Moussa Kalapo.
, so I dream: An Ode to Stuart Hall
C& Builds a Living Digital Archive
Bring Home your C& Collectors Box!
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026
MACAAL in Marrakech Will Reopen in 2025 After Undergoing Significant Renovations
Massoud Hayoun: Making Art To Say Things Out Loud
The Anarchist Citizenship – People Made of Stories
Still a Powerful Platform for Critical Dialogue around Art, Ecology, and History
La Biennale de l’Art Africain Contemporain Dak’Art 2024
Agnès Brezephin Awarded the Grand Prix Léopold Sédar Senghor at This Year’s Dakar Biennale
Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’
Can the French restitution of some of Benin’s royal treasures constitute a new beginning? Olivia Gilmore explores this question alongside Mati Diop’s new film, Dahomey.
36th Bienal de São Paulo Reveals Title, Concept, Partnerships, and Visual Identity
An Exhibition Aims at Accessibility Against a Backdrop of Protest in Kenya’s Capital
ART X Lagos 2024 Reveals Theme, Gallery List and Program
Gaëlle Choisne is the Winner of Prix Marcel Duchamp 2024
