PesquisarOportunidadesEventosSobre a C&Hubs
C&
Revistas
Projetos
Educação
Comunidade
A road passes under a natural rock arch into a desert landscape with distant mesas under a cloudy sky.

Sky Hopinka, Still de Mnemonics of Shape and Reason (Mnemônicos da Forma e da Razão), 2021. Vídeo em HD, som estéreo, colorido. 4 min 13 s. Cortesia do artista e de Tanya Leighton, Berlim e Los Angeles.

Several Eternities in a Day: Form in the Age of Living Materials

Esta exposição reúne 22 artistas da América do Norte, da América Central e da América do Sul que trabalham com materiais orgânicos, como abacate, cacau, urucum, cochonilha, pedra, argila e corantes naturais, para criar instalações de grande escala, pinturas e esculturas em mídia mista.

Apresentada no Hammer Museum da UCLA, a exposição reflete sobre a decomposição orgânica, os materiais como registros do vivo e repositórios da memória cósmica, bem como sobre o conceito de Brownness. Entre os artistas participantes estão Jackie Amézquita, Carmen Argote, Esteban Cabeza de Baca, Gustavo Caboco, Edgar Calel, Raven Chacon, Jaider Esbell, Sky Hopinka, Guadalupe Maravilla, Rose B. Simpson, Ayla Tavares, Santiago Yahuarcani, entre outros.

Several Eternities in a Day: Form in the Age of Living (Várias eternidades em um dia: a forma na era dos materiais vivos) está em cartaz até 23 de agosto de 2026.

Hammer Museum
10899 Wilshire Boulevard, em Westwood
Los Angeles, Estados Unidos
Horário de visitação: de terça a quinta-feira e aos sábados e domingos, das 11h às 18h; às sextas-feiras, das 11h às 20h. Fechado às segundas-feiras e nos feriados nacionais. Entrada gratuita.

hammer.ucla.edu

An art installation showing brown soil mounds and rocks with red markings on a light floor, backed by an undulating yellow-green textured wall. Two large artworks are visible in an adjacent room.

Several Eternities in a Day: Form in the Age of Living Materials, vista da instalação. Hammer Museum, Los Angeles, 5 a 23 de abril, 2026. Foto: Jeff McLane

An art gallery featuring two large, patterned terracotta sculptures in the foreground, a panoramic wall drawing, and other diverse artworks.

Several Eternities in a Day: Form in the Age of Living Materials, vista da instalação. Hammer Museum, Los Angeles, 5 a 23 de abril, 2026. Foto: Jeff McLane

Vibrant, intricate abstract painting featuring organic forms like marine creatures, fungi, and birds against a dark background.

Jaider Esbell, Untitled (Sem título), 2021. Acrílica sobre tela. 48 × 96 × 1⅛ pol. (121,9 × 243,8 × 2,9 cm). Cortesia da Almeida & Dale. Foto: Bruno Leão

An art gallery with a reddish-brown wall featuring white abstract line drawings, a light wood floor, and multiple sculptures made of natural materials: a large circular piece on the left, spiky wall-mounted forms, and an intricate, bone-like structure on the right.

Several Eternities in a Day: Form in the Age of Living Materials, vista da instalação. Hammer Museum, Los Angeles, 5 a 23 de abril, 2026. Foto: Jeff McLane

A gallery installation across two walls featuring gray and white abstract painted designs, multiple framed artworks, a TV screen, and attached elements like flowers.

Several Eternities in a Day: Form in the Age of Living Materials, vista da instalação. Hammer Museum, Los Angeles, 5 a 23 de abril, 2026. Foto: Jeff McLane

An abstract, panoramic painting of a mountain and river landscape with dynamic blue, green, orange, and purple brushstrokes.

Esteban Cabeza de Baca, California via Colorado River via Rio Grande (Califórnia via Rio Colorado via Rio Grande), 2025. Terra do sudoeste dos Estados Unidos sobre tela tingida com índigo e acrílica. 60 × 180 × 2 pol. (152,4 × 457,2 × 5,1 cm). Cortesia do artista e da Garth Greenan Gallery, Nova York

An art gallery with a large taupe wall displaying numerous framed abstract artworks, flanked by two large colorful paintings on white walls.

Several Eternities in a Day: Form in the Age of Living Materials, vista da instalação. Hammer Museum, Los Angeles, 5 a 23 de abril, 2026. Foto: Jeff McLane

Two large abstract paintings with biomorphic and figurative elements in earthy tones hang on a white gallery wall.

Several Eternities in a Day: Form in the Age of Living Materials, vista da instalação. Hammer Museum, Los Angeles, 5 a 23 de abril, 2026. Foto: Jeff McLane

An art gallery installation featuring three organic fiber sculptures and a metallic bull's head, set against a deep blue wall and floor.

Several Eternities in a Day: Form in the Age of Living Materials, vista da instalação. Hammer Museum, Los Angeles, 5 a 23 de abril, 2026. Foto: Jeff McLane

Three clay pots containing colorful flower petals and offerings on dark earth.

Edgar Calel, detalhe de Ni Musmut (It’s Breezing [Está Ventando]), Bergen Kunsthall, 2024. Oyonïk paruwi Juyu’ (Invocation over the mountains [Invocação sobre as montanhas]), 2024. Foto: Thor Brødreskift.

An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.

61ª Bienal de Veneza: Pavilhões Nacionais

A vibrant arrangement on a woven mat with a yellow flame held by pink hands, two painted eye-rocks, and everyday items like toothbrushes and fly swatters.

61ª Bienal de Veneza: Arsenale e Giardini

Abstract painting with thick, textured brushstrokes in shades of blue, pink, and green.

Oscar Murillo: Osmose coletiva

A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.

Frestas – Trienal de Artes

BienalBrasil
A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Histórias da ecologia

2nd Bienal das Amazônias

2ª Bienal das Amazônias

C& CYCLOPEDIA