PesquisarOportunidadesEventosSobre a C&Hubs
C&
Revistas
Projetos
Educação
Comunidade
Not Fully Human, Not Human at All

Not Fully Human, Not Human at All, Saddie Choua, vista da instalação, Kunstverein em Hamburgo, 2020, Foto: Fred Dott

Não inteiramente humano, de forma alguma humano

A exposição coletiva, no Kunstverein em Hamburgo, olha para os processos de desumanização que vêm ocorrendo na Europa.

Not Fully Human, Not Human at All (Não inteiramente humano, de forma alguma humano) é nomeada a partir do ensaio de Donna Haraway intitulado Ecce Homo, Ain’t (Ar’n’t) I a Woman, and Inappropriate/d Others (Ecce Homo, não seria (seriam) eu uma mulher, e outra(o)s imprópria(o)s/inapropria(o)s), um texto que desafia as reivindicações “universais” do Humanismo Iluminista a fim de propor condições do que ela chama de humanidade coletiva “não genérica”. Nesse texto, Haraway se refere à descrição de Hortense Spillers sobre os níveis de desumanização e da falta de qualquer subjetividade legal a que as vítimas do tráfico transatlântico de pessoas escravizadas, especialmente a mulher escravizada nos Estados Unidos, foram submetidas. A exposição coletiva analisa os processos de desumanização que vêm ocorrendo na Europa.

Com: Saddie Choua, Valentina Desideri / Denise Ferreira da Silva / Arely Amaut, Nilbar Güreş, Ibro Hasanović, Jelena Jureša, Doruntina Kastrati, Kaltrina Krasniqi, Pedro Neves Marques, Christian Nyampeta, Daniela Ortiz, Monira Al Qadiri, Lala Raščić, Kengné Téguia.

Curadoras: Nataša Petrešin-Bachelez e Bettina Steinbrügge.

Conselheiros curatoriais: Bruno Leitão, Monica de Miranda, HANGAR (Lisboa, Portugal), Donjetë Murati, Ares Shporta, Lumbardhi (Prizren, Kosovo), João Mourão & Luís Silva, Kunsthalle Lissabon (Lisboa, Portugal), Emilie Villez, KADIST (Paris, França), Pieternel Vermoortel, Netwerk (Aalst, Bélgica).

https://www.kunstverein.de/ausstellungen/aktuell/not-fully-human-not-human-at-all

Not Fully Human, Not Human at All, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Kegné Téguia, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Kegné Téguia, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Valentina Desideri/ Denise Ferreira da Silva/ Arely Amaut, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Valentina Desideri/ Denise Ferreira da Silva/ Arely Amaut, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Daniela Ortiz, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Daniela Ortiz, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Valentina Desideri/ Denise Ferreira da Silva/ Arely Amaut, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Valentina Desideri/ Denise Ferreira da Silva/ Arely Amaut, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Valentina Desideri/ Denise Ferreira da Silva/ Arely Amaut, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Valentina Desideri/ Denise Ferreira da Silva/ Arely Amaut, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Saddie Choua, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Saddie Choua, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Saddie Choua, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Saddie Choua, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Daniela Ortiz, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Daniela Ortiz, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Daniela Ortiz, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Daniela Ortiz, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Jelena Jureša, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Jelena Jureša, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All 2020, Nilbar Güreş, installation view, Kunstverein in Hamburg, 2020 Photo: Fred Dott

Not Fully Human, Not Human at All 2020, Nilbar Güreş, installation view, Kunstverein in Hamburg, 2020 Photo: Fred Dott

Not Fully Human, Not Human at All, Lala Raščić, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Lala Raščić, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Ibro Hasanović, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

Not Fully Human, Not Human at All, Ibro Hasanović, installation view, Kunstverein in Hamburg, 2020, Photo: Fred Dott

A road passes under a natural rock arch into a desert landscape with distant mesas under a cloudy sky.

Several Eternities in a Day: Form in the Age of Living Materials

An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.

61ª Bienal de Veneza: Pavilhões Nacionais

A vibrant arrangement on a woven mat with a yellow flame held by pink hands, two painted eye-rocks, and everyday items like toothbrushes and fly swatters.

61ª Bienal de Veneza: Arsenale e Giardini

Abstract painting with thick, textured brushstrokes in shades of blue, pink, and green.

Oscar Murillo: Osmose coletiva

A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.

Frestas – Trienal de Artes

BienalBrasil
A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Histórias da ecologia

C& CYCLOPEDIA