Jadé Fadojutimi. Photo: C&

Jadé Fadojutimi. Photo: C&

Sable Elyse Smith, Landscape VI, 2022. Photo: C&

Baya Mahieddine. Photo: C&

Antoinette Lubaki, both Untitled, ca. 1929. Photo: C&

Loïs Mailou Jones, Africa, 1935. Photo: C&

Meta Vaux Warrick Fuller, Ethiopia Awakening, 1921. Photo: C&

Bronwyn Katz, Gõegõe, 2022. Photo: C&

Akosua Adoma Owusu, Kwaku Ananse, 2013. Photo: C&

Kudzanai-Violet Hwami, The wedding of the astronauts 2, 2022. Photo: C&

Jonathas de Andrade, With the heart coming out of the mouth at the, 2022. Installation view of the Brazilian Pavilion. Photo: C&

Jonathas de Andrade, With the heart coming out of the mouth at the, 2022. Installation view of the Brazilian Pavilion. Photo: C&

Latifa Echakhch, The Concert, 2022. Installation view of the Suisse Pavilion. Photo: C&

Latifa Echakhch, The Concert, 2022. Installation view of the Suisse Pavilion. Photo: C&

Phumulani Ntuli, Godide, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&

Phumulani Ntuli, Godide, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&

Lebohang Kganye. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&

Lebohang Kganye. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&

Roger Ballon, The Theater of the Apparitions, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&

Installation View of the Ghana Pavilion at the 59th Venice Biennale. Photo: C&

Na Chainkua Reindorf. Installation View of the Ghana Pavilion at the 59th Venice Biennale. Photo: C&

Diego Araúja. Installation View of the Ghana Pavilion at the 59th Venice Biennale. Photo: C&