Recontres de Bamako II
In its 25th anniversary, Rencontres de Bamako (Bamako Encounters), the biennial dedicated to African photography and video has opened in Bamako, Mali and runs until 31 January 2020. Entitled Streams of Consciousness the biennale applies the notion of the stream of consciousness as a metaphor for the flux of ideas, peoples, cultures, featuring 85 artists and collectives. Directed by Bonaventure Soh Bejeng Ndikung, its curatorial team also comprises Aziza Harmel, Astrid Sokona Lepoultier, and Kwasi Ohene-Ayeh; artistic advisors Akinbode Akinbiyi and Seydou Camara; and scenographer Cheick Diallo. Here's part II of our first impressions.
</a> Alexia Webster. Photo: C&</figure>
</a> Alexia Webster. Photo: C&</figure>
</a> Mauro Vombe, Passengers, 2017. Photo: C&</figure>
</a> Jijan El Tahri, Comrades, 2007. Photo: C&</figure>
</a> Ketaki Sheth, A Certain Grace: the Sidi, Indians of African descent, 2005-10. Photo: C&</figure>
</a> Ketaki Sheth, A Certain Grace: the Sidi, Indians of African descent, 2005-10. Photo: C&</figure>
</a> Liz Johnson Artur, Untitled, 2019. Photo: C&</figure>
</a> Liz Johnson Artur, Untitled, 2019. Photo: C&</figure>
</a> Liz Johnson Artur, Untitled, 2019. Photo: C&</figure>
</a> Installation view. Photo: C&</figure>
</a> The Otolith Group, The Nucleus of the Great Union, 2017. Photo: C&</figure>
</a> Santiago Mostyn, Alterpiece, 2019. Photo: C&</figure>
</a> Amsatou Diallo, Scenes de Vie, 2017-ongoing. Photo: C&</figure>
</a> Installation view Girls school. Photo: C&</figure>
Vue de l’exposition
36e Biennale de São Paulo
A(spora) de Jazsalyn : Sur le corridor Gullah Geechee
LMK WHEN U REACH de Bernice Mulenga
Vue de l’exposition
36e Biennale de São Paulo
A(spora) de Jazsalyn : Sur le corridor Gullah Geechee