The Absent Museum explores what a museum’s role today could be. Despite the fact that museums—especially those devoted to contemporary art—have never been so popular, they remain notably absent from public debate on most key current issues.

In Brussels, as in many metropolitan areas, discussions around the creation of a new museum focus on a building or a collection, but avoid the fundamental question: what is to be done? What content or knowledge should a museum transmit? Which representations will be present, which issues remain absent?

Artists include: Francis Alÿs, Archives de l’Ambassade Universelle, Younes Baba-Ali, Jo Baer, Monika Baer, Sammy Baloji, Guillaume Bijl, Dirk Braeckman, Marcel Broodthaers, stanley brouwn, Daniel Dewar & Grégory Gicquel, Marlene Dumas, Jimmie Durham, Jana Euler, Olivier Foulon, Michel François, Ellen Gallagher, Mekhitar Garabedian, Isa Genzken, Jef Geys, Jos de Gruyter & Harald Thys, Thomas Hirschhorn, Carsten Höller, Cameron Jamie, Ann Veronica Janssens, Martin Kippenberger, Goshka Macuga, Mark Manders, Lucy McKenzie, Wesley Meuris, Nástio Mosquito, Jean-Luc Moulène, Le Mur, Oscar Murillo, Otobong Nkanga, Felix Nussbaum, Willem Oorebeek, Marina Pinsky, Lili Reynaud-Dewar, Gerhard Richter, Walter Swennen, Wolfgang Tillmans, Rosemarie Trockel, Luc Tuymans, Peter Wächtler, Christopher Williams, Nil Yalter.

Exhibition architecture WIELS: Richard Venlet, assisted by Carlo Siegfried

The exhibition includes over 300 works by 47 artists, many of which are new productions. The exhibition takes place across three buildings—WIELS, Brass and Métropole—but also extends into public space. An important new work is made by Lucy McKenzie, a permanent, monumental mural in the centre. Titled In My Area (For Kato), it is a commission by WIELS and the City of Brussels in the context of the comics murals. McKenzie’s mural is festive and anachronistic, revealing her on going interest in the decorative as both an architectural and political element.

Friday, June 2, 2017
Symposium
This symposium, featuring a series of individual presentations followed by a panel discussion, offers a discursive platform for the questions raised by The Absent Museum. The speakers are invited to discuss their experience of elaborating different examples of museum practices. With examples from within Europe and the world at large, they all face tensions between identity and tradition, heightened by transnational displacement and technological disruption. What is to be done when long-standing polarizing and simplistic conceptions such as “the West and the rest,” centre and periphery, or high and low have proved inadequate when defining contemporary urgencies? Which institutional methodologies can be proposed to address the issues of a multiple or global modernity? How can existing art museums actively position themselves in the cultural debate and overcome a binary representation of history in favour of nuance and complexity?

In the light of recent discussions around the future foundation of an institution for modern and contemporary art in Brussels, the European capital, what is at stake is the development of tools for negotiating, translating and mediating an open, cosmopolitan and egalitarian place for art, culture and ideas.

Program:
2–5:30pm / WIELS Auditorium
7–8:45pm / BOZAR Studio
Free entrance
In English, Free streaming on the website

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www.wiels.org