M’hammed Kilito : Cinema Camera

Cinema Camera is the story of a meeting, that of the photographer M’hammed Kilito with the intimate and deeply humanist cinema of Hakim Belabbes.

Cinema Camera is the story of a tribute and a pilgrimage the shoot’s location … A story of cameras, human beings, looks and complicities. And just like the director who tells us stories, the photographer reveals here those of inhabitants of Bejaâd, a small town in the Beni Mellal-Khénifra region.

Flashback …
In 2008, Hakim Belabbes films These hands in the city where he was born. The film, which surfs between fiction and reality, focuses on the destinies of Bejaâd’s craftsmen, the potter, the blacksmith, the weavers, the projectionist, … So many simple lives that intersect and unfold before the eyes of Hakim Belabbes, for “the memory of Bejaâd”.

Back to the present …
In 2018, These hands celebrates its 10th anniversary, M’hammed kilito follows the film tracks to try to find the real characters who have moved him so much on the screen and offer them to pose, this time, in front of his camera; to explore and question too … Ten years later, what has become of them? Some people accept, others refuse, the grocer of miracles and Dkaiki are no longer of this world … M’hammed Kilito travels the streets of the small town, seizes it’s poetry, escheat, bits of deserted architecture, real details that graze abstraction. He meets and photographs the troubadour, the weaver, the potter, the blacksmith, … He immortalizes the abandoned cinema, which is fading and peeling, as well as the projectionist who keeps the history and the archives.

The photographic result of this exploratory dive in a film’s history, a place and of people is marked by a great poetry at the same time as it is a statement at the edge of the documentary, as is the movie. M’hammed Kilito’s images capture what can not be seen, the slowness of passing time, the inevitability, the singularity, the amnesia. A thoughtful, patient and deeply human approach to his subject, “in the lineage of visual sociology” and in the footsteps of Hakim Belabbes. A respectful, objective and sensitive look that fits above all in the sharing of memory.

Florence Renault-Darsi Artistic Director

{{B:M’hammed Kilito (1981) is a Moroccan photographer based in Marrakech. He studied photography at the Ottawa School of Art (2006) and he also holds a master degree in Political Science from the University of Ottawa (2012). His interest lies in the the small details of everyday life that can provide information on Morocco’s current state. The daily observations, the encounters he makes and the stories he is told inspire him to work on socio-political themes such as the deep divisions based on class and heritage, migration, identity and social determinism.}}

M’hammed’s work has been showed nationally and internationally in galleries and museums such as the French Institute (Rabat, Morocco), Rétine argentique (Marseille, France), the Fondation Alliances (Casablanca, Morocco), Fotofilmic gallery (Vancouver, Canada), Le 18 (Marrakech, Morocco), Tate Modern (London, UK), National Library (Rabat, Morocco), Les Nuits photographiques (Essaouira, Morocco) or Visual Voice Gallery (Montreal, Canada).

His photographs have been published by World Press Photo, The Wall Street Journal, The Washington Post, Off The Wall, El Pais, Jeune Afrique, Diptyk, L’Express, Afrique Magazine, l’Économiste, Huffpost and Telquel.

.

http://luzine.ma