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América Latina Magazine

A person with dark skin and a light blue head covering screams with wide eyes and outstretched hands, illuminated against a dark background.

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

A person in a white dress walks barefoot on a rocky beach, carrying a large bouquet of red flowers, with ocean waves crashing behind them.

The Artists Forging Ecological Ties in Female Fugivity and Marronage

Electronic devices, including a glitching monitor, laptops, speakers, and a boombox, are arranged on a green tiled floor in a room with large windows.

Caribbean Sounds: The Connective Possibilities of Radio

Abstract sculpture composed of multi-colored fabric-wrapped ropes and bundled forms, suspended against a white wall.

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Vibrant artwork featuring stylized birds and creatures composed of intricate patterns, lines, and textures.

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

In Conversation

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Ana Pi: Knowledge Does Not Disappear

Ana Pi: Knowledge Does Not Disappear

Biophillick: Connecting Ancestries Through Technology

Biophillick: Connecting Ancestries Through Technology

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

Flooded Memories

UÝRA work intertwines water, identity, and resistance to challenge environmental devastation and forced displacement.

Must Reads

The Spiritual Technologies of Jamaican Maroons

The Spiritual Technologies of Jamaican Maroons

What’s Behind Decolonial Movements in Brazil?

What’s Behind Decolonial Movements in Brazil?

Afro-Indigenous Memory in the Work of Maria Lira Marques

Afro-Indigenous Memory in the Work of Maria Lira Marques

Brazilian Artist enorê Explores the Creative Language of Data

Brazilian Artist enorê Explores the Creative Language of Data

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

2nd Bienal das Amazônias

2nd Bienal das Amazônias

Dismantling colonial power

Dismantling colonial power

The Art of Translating and Vice Versa

The Art of Translating and Vice Versa

Flowing Affections: Laryssa Machada’s Sensitive Geographies

Machada considers the arrays of Brazilian identity multiplicity and LGBTQIA+ invisibility in pre-colonial historicity. With her work, the artist proposes a destabilization of the collective imagination associated with love between femmes.

Dans la bibliothèque

Pénétrez dans des bibliothèques et des collections de livres abritant certaines publications rares et souvent tombées dans l’oubli, qui restent néanmoins essentielles au discours des deux extrémités du champ de la pensée.