América Latina Magazine
texts

Convergence des vies africaines et indiennes dans les peintures de Kelly Sinnapah Mary

Cyle Warner and the Transformations of Vernacular Caribbean Architectures Across Time

The Indigenous Sci-fi Love Story about the Climate Crisis and the Power of Language: Itu Ninu

The Power of Fabulation in the Black Cinema of Zózimo Bulbul

Fundação Bienal de São Paulo announces the curatorial team for its 37th edition

Iahra: Addressing Marine Ecology Through Industrial Materialities

Transforming Memories of State Violence through Poetic Justice

Seed Archives: Celebrating African and Caribbean Design and Culture in London

Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic

Representing the Desires of the Community in the Work of Jeff Cán Xicay

The Bahamas Pavilion returns to the 61st Venice Biennale after a thirteen year hiatus

Manuel Tzoc: Art as Embodied and Relational Poetry

Daniela Ortiz: Art as a Practice of International Solidarity

Three Artists Redefining the Human-Plant Relationship in Martinique and Guadeloupe

C&AL’s Highlights of 2025 You Might Have Missed

2025 in Review

Yina Jiménez Suriel y Raphael Fonseca son los directores artísticos de la Bienal Sequences de Islandia

MAM São Paulo anuncia Diane Lima como curadora do 39º Panorama da Arte Brasileira

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

MACAS amplía su colección de arte afropuertorriqueño

The Artists Forging Ecological Ties in Female Fugivity and Marronage

Caribbean Sounds: The Connective Possibilities of Radio

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism

The Order of New Arts opens a new cultural space in the United States

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

Comigo ninguém pode will be the exhibition that represents Brazil at the Biennale Arte 2026

Tadáskía Wins the 2025 K21 Global Art Award

Introducing the C& Cyclopedia

Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal

Esperanza de León: Curating Through Community Knowledge

Librería Ireti, Havana, Cuba

Eva de Souza: Textile Experimentation as Poetic Protest

A k u z u r u: Art, Post-humanism and Healing

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

Denis Maksaens: Glitch and Representation in the Caribbean

The Entanglement of Migration, Indigenous Peoples, and Colonialism

Fundação Bienal de São Paulo announces list of participants for its 36th edition

The Spiritual Technologies of Jamaican Maroons

Flowing Affections: Laryssa Machada’s Sensitive Geographies

Jesús Hilário-Reyes: Dissolving Notions of Group and Individual

Andrea Chung: Dematerialization to Subvert Commodification

The Forgotten Asian Histories of Latin America

Duality as an Invitation to Multiplicity

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

What’s Behind Decolonial Movements in Brazil?

MASP inaugura novo edifício

MASF: An Art Museum that Connects Territory and Communities

Nominated for the Pipa Prize in 2023, Biophillick is an artist who puts technology, nature and spirituality into dialogue. His works permeate multiple forms of artistic expression to materialize a transcendental universe, including handmade masks and electronic music. The artist reclaims traditions to imagine future ancestors.

Atlantic Threads

The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin

Ana Pi: Knowledge Does Not Disappear

Celebration and Resistance in Ventura Profana’s Films

MUNCAB inaugura novo espaço dedicado à arte afro-brasileira

C& x NAM Critical Writing Workshop, New Orleans

Imagining perversely with Madeline Jiménez Santil’s Art

HOA Gallery is redesigned as a non-profit initiative

A Call to History

C&AL’s Highlights of 2024 You Might Have Missed

An Afro-Indigenous Reawakening: The Year in Review

Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines

Influenced by the music and natural landscape of her childhood in San Fernando, the Caracas-based artist developed a unique, flowing sculptural style. Her work reflects the connection between landscapes and the shared memory of Trinidad and Venezuela, exploring organic forms and diverse materials in a process that resonates with the environment.
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=80&auto=format&fit=max&w=2560)
The World Tree [El árbol del mundo]

A Biennial that relates sound to space and bodies

Bring Home your C& Collectors Box!

Tessa Mars Links the Migratory Experience to Haitian Spirituality

Mercosul Biennial announces artists and spaces for its next edition

The Art of Translating and Vice Versa

Navigating Scarcity, Race and Religion in Cuban Photography

Bienal das Amazônias anuncia curadora de sua segunda edição

Not All Travellers Walk Roads – Of Humanity as Practice

Anaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance

Remaking Afro-Indigenous Archives with Julianny Ariza Vólquez

Afro-Indigenous Memory in the Work of Maria Lira Marques

C& Artists’ Edition #5 Zohra Opoku

Amanda Carneiro: Curation That Operates Outside Dominant Systems

MUNCH Award: Rosana Paulino

Poetry: Ruth Ige

Guido Llinás: the Incredible Story of an Afro-Cuban Artist in Paris

Sofía Salazar Rosales: A Poetic Journey Through the Material

Centro Cultural BanReservas and Universidad Autónoma de Santo Domingo x C& Critical Writing Workshop

Art and Identity in the Caribbean

Carnival, Body, and Territory

Johan Samboni: Rewriting Urban Histories

Introduction to the employee manual

Ismael David and the Foundations of Exu

Curated by Sandra Benites, Keyna Eleison, Flávya Mutran and Vânia Leal, the exhibition featured Amazonian artists within the context of artistic production that discusses social, environmental and cultural issues, promoting reflection on the complex Amazonian reality in relation to themes of identity and ethics.

Caryl* Ivrisse Crochemar

Fidel Ernesto: Transitioning between the Digital and the Physical

Paul-Aimé William: Afro-Feminism and Curation in Guiana-Abya-Yala
Get Your C& Collector’s Box Now!

Keila Sankofa: Fictionalizing Gaps of the Past

Crossroads of Afro-Brazilian Art

Conceptual Team for the 36th Bienal de São Paulo Announced

Raily Yance and the Power of Everyday Objects



