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A road passes under a natural rock arch into a desert landscape with distant mesas under a cloudy sky.

Sky Hopinka, Still from Mnemonics of Shape and Reason, 2021. HD video, stereo sound, color. 4:13 min. Courtesy of the artist and Tanya Leighton, Berlin and Los Angeles

Several Eternities in a Day: Form in the Age of Living Materials

This exhibition brings together 22 artists from North, Central, and South America who work with organic materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes to create large-scale installations, paintings, and mixed-media sculptures.

Presented at the Hammer Museum at UCLA, the show reflects on organic decay, materials as records of the living and repositories of cosmic memory, and Brownness. Featured artists include Jackie Amézquita, Carmen Argote, Esteban Cabeza de Baca, Gustavo Caboco, Edgar Calel, Raven Chacon, Jaider Esbell, Sky Hopinka, Guadalupe Maravilla, Rose B. Simpson, Ayla Tavares, Santiago Yahuarcani, and others.

Several Eternities in a Day: Form in the Age of Living Materials is on view until August 23, 2026.

Hammer Museum
10899 Wilshire Boulevard at Westwood
Los Angeles, United StatesVisiting hours: Tuesday to Thursday and Saturday to Sunday: 11 a.m.–6 p.m.; Friday, 11 a.m.–8 p.m. Closed Mondays and national holidays. Free entry

hammer.ucla.edu

An art installation showing brown soil mounds and rocks with red markings on a light floor, backed by an undulating yellow-green textured wall. Two large artworks are visible in an adjacent room.

Several Eternities in a Day: Form in the Age of Living Materials, installation view. Hammer Museum, Los Angeles, Apr 5 – Aug 23, 2026. Photo: Jeff McLane

An art gallery featuring two large, patterned terracotta sculptures in the foreground, a panoramic wall drawing, and other diverse artworks.

Several Eternities in a Day: Form in the Age of Living Materials, installation view. Hammer Museum, Los Angeles, Apr 5 – Aug 23, 2026. Photo: Jeff McLane

Vibrant, intricate abstract painting featuring organic forms like marine creatures, fungi, and birds against a dark background.

Jaider Esbell, Untitled, 2021. Acrylic on canvas. 48 × 96 × 1 ⅛ in. (121.9 × 243.8 × 2.9 cm). Courtesy of Almeida & Dale. Photo: Bruno Leao

An art gallery with a reddish-brown wall featuring white abstract line drawings, a light wood floor, and multiple sculptures made of natural materials: a large circular piece on the left, spiky wall-mounted forms, and an intricate, bone-like structure on the right.

Several Eternities in a Day: Form in the Age of Living Materials, installation view. Hammer Museum, Los Angeles, Apr 5 – Aug 23, 2026. Photo: Jeff McLane

A gallery installation across two walls featuring gray and white abstract painted designs, multiple framed artworks, a TV screen, and attached elements like flowers.

Several Eternities in a Day: Form in the Age of Living Materials, installation view. Hammer Museum, Los Angeles, Apr 5 – Aug 23, 2026. Photo: Jeff McLane

An abstract, panoramic painting of a mountain and river landscape with dynamic blue, green, orange, and purple brushstrokes.

Esteban Cabeza de Baca, California via Colorado River via Rio Grande, 2025. Earth from Southwest United States with acrylic on indigo-dyed canvas. 60 × 180 × 2 in. (152.4 × 457.2 × 5.1 cm). Courtesy of the artist and Garth Greenan Gallery, New York

An art gallery with a large taupe wall displaying numerous framed abstract artworks, flanked by two large colorful paintings on white walls.

Several Eternities in a Day: Form in the Age of Living Materials, installation view. Hammer Museum, Los Angeles, Apr 5 – Aug 23, 2026. Photo: Jeff McLane

Two large abstract paintings with biomorphic and figurative elements in earthy tones hang on a white gallery wall.

Several Eternities in a Day: Form in the Age of Living Materials, installation view. Hammer Museum, Los Angeles, Apr 5 – Aug 23, 2026. Photo: Jeff McLane

An art gallery installation featuring three organic fiber sculptures and a metallic bull's head, set against a deep blue wall and floor.

Several Eternities in a Day: Form in the Age of Living Materials, installation view. Hammer Museum, Los Angeles, Apr 5 – Aug 23, 2026. Photo: Jeff McLane

Three clay pots containing colorful flower petals and offerings on dark earth.

Edgar Calel, Detail of Ni Musmut (It’s Breezing), Bergen Kunsthall, 2024. Oyonïk paruwi Juyu’ (Invocation over the mountains), 2024. Photo: Thor Brødreskift

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An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.

61st Venice Biennale: National Pavilions

A vibrant arrangement on a woven mat with a yellow flame held by pink hands, two painted eye-rocks, and everyday items like toothbrushes and fly swatters.

61st Venice Biennale: Arsenale and Giardini

Abstract painting with thick, textured brushstrokes in shades of blue, pink, and green.

Oscar Murillo: Collective Osmosis

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A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.

Frestas – Art Triennial

A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Histories of Ecology

2nd Bienal das Amazônias

2nd Bienal das Amazônias

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