The Call: Transitioning Tempelhof Historically, murals have had a strong political connotation and have become representative of the value of public art. Accordingly, the murals, conceived as a permanent installation, should be developed in direct response to the urgent need for affordable and safe spaces for artists in Berlin, the availability of which has decreased significantly in recent years. The mural project should impress with its conceptual inventiveness and formal qualities, and should relate to the location, and its historical background as a place of storytelling and potential in all its ambiguity. The mural is intended to invite visitors and future inhabitants to rest their mind, to exchange ideas or to linger within the campus. Due to the visibility of the building, the mural will be visible from the sidewalk and the courtyards of the former BUFA and thus actively affect the public space. The open call is aimed at Berlin-based artists, gardeners, designers of every background and nationality. Everyone interested in turning facades into surfaces of reflection are welcome to apply. We invite interested artists to adopt, reinterpret or open up the traditional mural tradition by engaging with different mediums, styles and approaches. Depending on the proposals, the final project can be realised as one or more interventions. The projects will be selected by a jury formed by members of the BUFA and the editors of Arts of the Working Class. Background: Oberlandstraße The history of the area is a multi-faceted clash: Starting with the Templer order that gave Tempelhof its name, to the gardens where vegetables for Berlin were grown, the fascist monumentality of the Zentralflughafen, the airlift of 1948-49, and today’s raves, kites and grassroots movements which are now struggling to define a new purpose for the airfield. The Studios at Tempelhof were built in 1913 as a ‘story factory’ with all that was required for film making in one building. This factory was home to some of the first makers of film production in Germany. Over the years, the space has been home to different productions such as the early expressionist horror movie “Der Golem” (1920), Walt Disney’s “Emil und die Detektive” (1963), television shows such as “Die Hitparade” and various advertisement productions. Recently, productions like Daniel Brühl’s “Nebenan” (2020), or the “Klima-Bürgerrat” have taken place at Berliner Union-Film Ateliers (BUFA), the name of the studios since 1963. Atelier Gardens is situated in an industrial area close to a working class neighborhood, where gardening and industrial activities have played an important role over the course of the past century. The proximity to Tempelhofer Feld is also of relevance to the thematic realm to which the artworks should relate. Please send submissions to

All that is Musical in Us is Memory: Of Exile, Kinship and (Un)Belonging

Call for Mural Projects