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A road passes under a natural rock arch into a desert landscape with distant mesas under a cloudy sky.

Sky Hopinka, captura de Mnemonics of Shape and Reason (Mnemotécnicas de la forma y la razón), 2021. Video HD, sonido estéreo, color. 4:13 min. Cortesía del artista y Tanya Leighton, Berlin y Los Ángeles

Vista de instalación

9 Julio 2026

Revista América Latina

Traducción Nicolás Gelormini

1 min de lectura

Vista de la exposición Black Cultures Matter States of Mobility Guadalupe Maravilla Gustavo Caboco

Several Eternities in a Day: Form in the Age of Living Materials

Esta muestra reúne veintidós artistas de América del Norte, América Central y América del Sur, que trabajan con materiales tales como aguacate, cacao, achiote, cochinilla, piedra, arcilla y tintas naturales para crear enormes instalaciones, pinturas y esculturas de medios mixtos.

Presentada en el Hammer Museum de la UCLA, la exhibición reflexiona sobre la descomposición orgánica, los materiales como registros de lo viviente y repositorios de la memoria cósmica, y sobre la marronidad. Los artistas convocados son, entre otros, Jackie Amézquita, Carmen Argote, Esteban Cabeza de Baca, Gustavo Caboco, Edgar Calel, Raven Chacon, Jaider Esbell, Sky Hopinka, Guadalupe Maravilla, Rose B. Simpson, Ayla Tavares y Santiago Yahuarcani.

Several Eternities in a Day: Form in the Age of Living Materials (Varias eternidades en un día: la forma en la era de los materiales vivos) puede verse hasta el 23 de agosto de 2026.

Hammer Museum
10899 Wilshire Boulevard at Westwood
Los Ángeles, Estados Unidos
Horario: de martes a jueves y sábados y domingos, de 11h a 18h; viernes, de 11h a 20h. Lunes y feriados nacionales, cerrado. Entrada libre

hammer.ucla.edu

An art installation showing brown soil mounds and rocks with red markings on a light floor, backed by an undulating yellow-green textured wall. Two large artworks are visible in an adjacent room.

Several Eternities in a Day: Form in the Age of Living Materials, vista de instalación. Hammer Museum, Los Angeles, 5 de abril – 23 de agosto de 2026. Foto: Jeff McLane

An art gallery featuring two large, patterned terracotta sculptures in the foreground, a panoramic wall drawing, and other diverse artworks.

Several Eternities in a Day: Form in the Age of Living Materials, vista de instalación. Hammer Museum, Los Angeles, 5 de abril – 23 de agosto de 2026. Foto: Jeff McLane

Vibrant, intricate abstract painting featuring organic forms like marine creatures, fungi, and birds against a dark background.

Jaider Esbell, sin título, 2021. Acrílico sobre tela. 48” × 96” × 1” ⅛ (121,9 × 243.8 × 2,9 cm). Cortesía de Almeida & Dale. Foto: Bruno Leao

An art gallery with a reddish-brown wall featuring white abstract line drawings, a light wood floor, and multiple sculptures made of natural materials: a large circular piece on the left, spiky wall-mounted forms, and an intricate, bone-like structure on the right.

Several Eternities in a Day: Form in the Age of Living Materials, vista de instalación. Hammer Museum, Los Angeles, 5 de abril – 23 de agosto de 2026. Foto: Jeff McLane

A gallery installation across two walls featuring gray and white abstract painted designs, multiple framed artworks, a TV screen, and attached elements like flowers.

Several Eternities in a Day: Form in the Age of Living Materials, vista de instalación. Hammer Museum, Los Angeles, 5 de abril – 23 de agosto de 2026. Foto: Jeff McLane

An abstract, panoramic painting of a mountain and river landscape with dynamic blue, green, orange, and purple brushstrokes.

Esteban Cabeza de Baca, California via Colorado River via Rio Grande (California vía río Colorado vía río Grande), 2025. Tierra del sudoeste de los Estados Unidos con acrílico sobre tela teñida de índigo. 60” × 180” × 2” (152.4 × 457,2 × 5,1 cm). Cortesía del artista y de galería Garth Greenan, Nueva York

An art gallery with a large taupe wall displaying numerous framed abstract artworks, flanked by two large colorful paintings on white walls.

Several Eternities in a Day: Form in the Age of Living Materials, vista de instalación. Hammer Museum, Los Angeles, 5 de abril – 23 de agosto de 2026. Foto: Jeff McLane

Two large abstract paintings with biomorphic and figurative elements in earthy tones hang on a white gallery wall.

Several Eternities in a Day: Form in the Age of Living Materials, vista de instalación. Hammer Museum, Los Angeles, 5 de abril – 23 de agosto de 2026. Foto: Jeff McLane

An art gallery installation featuring three organic fiber sculptures and a metallic bull's head, set against a deep blue wall and floor.

Several Eternities in a Day: Form in the Age of Living Materials, vista de instalación. Hammer Museum, Los Angeles, 5 de abril – 23 de agosto de 2026. Foto: Jeff McLane

Three clay pots containing colorful flower petals and offerings on dark earth.

Edgar Calel, detalle de Ni Musmut (Hace brisa), Bergen Kunsthall, 2024. Oyonïk paruwi Juyu’ (Invocación sobre las montañas), 2024. Foto: Thor Brødreskift

An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.

61ª Bienal de Venecia: pabellones nacionales

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A vibrant arrangement on a woven mat with a yellow flame held by pink hands, two painted eye-rocks, and everyday items like toothbrushes and fly swatters.

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Abstract painting with thick, textured brushstrokes in shades of blue, pink, and green.

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Colombia Pintura

A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.

Frestas – Trienal de Artes

A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

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