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The Other Side of Now: Foresight in Contemporary Caribbean Art

Lavar Munroe, Ensayo para la reconstrucción, 2019. Acrílico, pintura en aerosol, tela y cabello humano sobre lienzo. 76 x 63 pulgadas. Cortesía del artista.

Vista de instalación

19 Mayo 2020

Revista América Latina

Palabras C&AL

1 min de lectura

El futuro según el arte caribeño

Una exposición grupal centrada en la pregunta, "¿Cómo se verá un futuro caribeño?", en el Pérez Art Museum, Miami.

La exposición grupalThe Other Side of Now: Foresight in Contemporary Caribbean Art, en el PAMM, se centra en la pregunta: "¿Cómo podría ser un futuro caribeño?" El programa busca pensar más allá de las narrativas de catástrofes que continúan enmarcando la región en términos de entonces y ahora. The Other Side of Now presenta a 14 artistas que se dedican al tiempo futuro a través de experiencias personales, recuerdos colectivos y legados históricos

Artistas: Deborah Anzinger, Charles Campbell, Andrea Chung, Hulda Guzman, Deborah Jack, Louisa Marajo, Manuel Mathieu, Alicia Milne, Lavar Munroe, Angel Otero, Sheena Rose, Jamilah Sabur, Nyugen Smith, Cristina Tufiño.

Curadoras: María Elena Ortiz y Dr. Marsha Pearce

The Other Side of Now: Foresight in Contemporary Caribbean Art
Pérez Art Museum, Miami
1103 Biscayne Blvd., Miami, FL 33132
https://www.pamm.org/

View of The Other Side of Now: Foresight in Contemporary Caribbean Art, Pérez Art Museum Miami, 2019–20. Photo: Oriol Tarridas. Courtesy of the PAMM.

View of The Other Side of Now: Foresight in Contemporary Caribbean Art, Pérez Art Museum Miami, 2019–20. Photo: Oriol Tarridas. Courtesy of the PAMM.

View of The Other Side of Now: Foresight in Contemporary Caribbean Art, Pérez Art Museum Miami, 2019–20. Photo: Oriol Tarridas. Courtesy of the PAMM.

View of The Other Side of Now: Foresight in Contemporary Caribbean Art, Pérez Art Museum Miami, 2019–20. Photo: Oriol Tarridas. Courtesy of the PAMM.

View of The Other Side of Now: Foresight in Contemporary Caribbean Art, Pérez Art Museum Miami, 2019–20. Photo: Oriol Tarridas. Courtesy of the PAMM.

View of The Other Side of Now: Foresight in Contemporary Caribbean Art, Pérez Art Museum Miami, 2019–20. Photo: Oriol Tarridas. Courtesy of the PAMM.

Sheena Rose, Cognitive , 2019. Acrylic on drywall. 120 x 238 inches. Courtesy of the artist. Photo: Worldredeye.com

Sheena Rose, Cognitive , 2019. Acrylic on drywall. 120 x 238 inches. Courtesy of the artist. Photo: Worldredeye.com

Jamilah Sabur, This Is Where I Was Born, 2018. Oil and graphite on linen. 40 x 40 inches. Collection of Rick Crooks. Courtesy the artist and Nina Johnson, Miami.

Jamilah Sabur, This Is Where I Was Born, 2018. Oil and graphite on linen. 40 x 40 inches. Collection of Rick Crooks. Courtesy the artist and Nina Johnson, Miami.

Nyugen Smith, Bundlehouse:...because after the fracture, came something like paradise..., 2019. Mixed media and found object assemblage. 60 x 90 x 10 inches. Courtesy of the artist.

Nyugen Smith, Bundlehouse:...because after the fracture, came something like paradise..., 2019. Mixed media and found object assemblage. 60 x 90 x 10 inches. Courtesy of the artist.

A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.

Frestas – Trienal de Artes

Bienal

Brasil

A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.

Historias de la ecología

Ecologías

Sostenibilidad

2nd Bienal das Amazônias

2ª Bienal de las Amazonias

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice

Bienal

São Paulo

Flooded Memories

Recuerdos inundados

Brasil

UÝRA

Roots: Beginning, Middle, and Beginning

Raízes: Comienzo, Medio y Comienzo