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337 ARTICLES
Mottled light brown and dark brown texture with irregular black shapes.

On Ghosts and The Moving Image: Edward George’s Black Atlas

Abstract sculpture composed of multi-colored fabric-wrapped ropes and bundled forms, suspended against a white wall.

Confronting the Absence of Latin America in Conversations on African Diasporic Art

Two vibrant, pixelated profiles, rendered in blue and red, face a cowrie shell against an orange background.

On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies - Contemporary And

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be? - Contemporary And

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026 - Contemporary And

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures - Contemporary And

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures

Massoud Hayoun: Making Art To Say Things Out Loud - Contemporary And

Massoud Hayoun: Making Art To Say Things Out Loud

Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’ - Contemporary And

Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’

Pamela Phatsimo Sunstrum: A Dramatic Painted Mystery Investigates Ideas about Women’s Power - Contemporary And

Pamela Phatsimo Sunstrum: A Dramatic Painted Mystery Investigates Ideas about Women’s Power

Agape Harmani: Trauma as an Essential Part of Diaspora - Contemporary And

Agape Harmani: Trauma as an Essential Part of Diaspora

In the Wake of Dak’Art Biennale 2024: A Momentum for Reflection - Contemporary And

In the Wake of Dak’Art Biennale 2024: A Momentum for Reflection

Spaces of Collective Learning, Relearning and Unlearning with Drama Queens - Contemporary And

Spaces of Collective Learning, Relearning and Unlearning with Drama Queens

Faith Ringgold: “I am very inspired to tell my story, and that’s my story.” - Contemporary And

Faith Ringgold: “I am very inspired to tell my story, and that’s my story.”

Azu Nwagbogu: “Restitution is not restricted to objects but includes knowledge systems” - Contemporary And

Azu Nwagbogu: “Restitution is not restricted to objects but includes knowledge systems”

Nidhal Chamekh: “I instinctively move into unexplored territory” - Contemporary And

Nidhal Chamekh: “I instinctively move into unexplored territory”

Diana Ejaita: Unfixed Stories, Interconnected Worlds - Contemporary And

Diana Ejaita: Unfixed Stories, Interconnected Worlds

Baloji and the Art of Averting the Evil Eye - Contemporary And

Baloji and the Art of Averting the Evil Eye

John Akomfrah: "If there is a problem with hybridity, for me, it is that it participates in this hierarchization of the world" - Contemporary And

John Akomfrah: “If there is a problem with hybridity, for me, it is that it participates in this hierarchization of the world”

Aderemi Adegbite: Embracing Solitude and Empowering Communities - Contemporary And

Aderemi Adegbite: Embracing Solitude and Empowering Communities