Magazine
All Editorial
Investec Cape Town Art Fair 2026
Artist-Led Organizations in Focus At The 61st Venice Art Biennale
Notes on Editorial Dis/Continuities
On Rematriation and Spiritual Reparations
The Olympia Effect: Who Gets Credit for Sexual Liberation On/Off Screen?
The Deconstructive Lens of Ngadi Smart: From Drag to Climate Change
We're Still Here: Thero Makepe’s Visual Jazz
C& Highlights of 2025
The Museum of Black Futures
The Re:assemblages Symposium: How Might We Gather Differently?
Nnena Kalu wins Turner Prize 2025
On Ghosts and The Moving Image: Edward George’s Black Atlas
In a series of non-linear entries, writer Kenny Cairo rewires the sonics of radio and connectivity, from Guadeloupe to Jamaica to Paris.
Werewere Liking: Of Spirit, Sound, and the Shape of Transmission
Black Canadian Print Cultures: Of Quiet and Enduring Legacies
Noel W. Anderson: The Spirit Will Not Descend Without Song
On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones
Rest in/as Freedom: kiarita and Black Politics of Liberation
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Coming Soon: APRIA Journal Issue #7 — Exhaustion
Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge
Introducing the C& Cyclopedia
Tadáskía Wins the 2025 K21 Global Art Award
Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026
The Art of Dialogue: Living Archives, Memory and Practice
Attending the opening week of this year’s Biennial curated by Bonaventure Soh Bejeng Ndikung, the C& Team captured some impressions of artworks by some artists of the African diaspora highlighted in the space.
A Collector’s Guide to São Paulo
Jazsalyn’s A(spora): On the Gullah Geechee Corridor
Steve McQueen: The Bassline As Sonic Intelligence
Naomi Beckwith Unveils Core Artistic Team for documenta 16
Bernice Mulenga’s LMK WHEN U REACH
Mapping Literary Circuits with Bao Books in Tunis and Cairo
Alick Phiri and William Matlala: I’ll Be Your Mirror
Mangrove Ecologies: Grounded Forms of Questioning in the Art/World
Dignity Under Duress: Black Figuration Beyond the Global Art Market
Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra
Paula Nascimento and Angela Harutyunyan Announced as Curators of Sharjah Biennial 17
Sudan Art Archive Aims to Reclaim a Canon from Afar
With a title derived from the poem “Da calma e do silêncio” by Conceição Evaristo, the 36th Bienal de São Paulo brings together 120 participants at the Bienal Pavilion and five more at Casa do Povo, proposing an urgent reflection on humanity, nature, and listening.
Samson Mnisi: A Master Posthumously Receives His Due
Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene
AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection
Image Interventions in "The African Gaze"
Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision
‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies
Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025
Koyo Kouoh (1967 – 2025)
Dispatches from Tint Library’s London Pop-Up
Kapwani Kiwanga Wins the 2025 Joan Miró Prize
FESPACO 2025 Made Space for the Ceremony of African Cinema
Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?
This poignant piece by writer Daniella Brito reacts to the actions and executive orders that aim to sabotage any progressive work being done in US institutions. With notes from cultural workers like Lambkin, Nifemi Ogunro, Embaci and Amina Ross, Brito brings in several points of view.
‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo
Stewarding an Antidisciplinary Practice
Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief
Examining De/Colonial Traces Through Colonial Collections
Thinkers and Titles: On Black German Literary Tradition
AWARE (Archives of Women Artists, Research & Exhibitions)
Ellipse Prize 2025 Announces Finalists of 5th Edition
ROM Announces Tandazani Dhlakama as Curator of Global Africa
In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026
Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures
Dr. Zoe Whitley Named Curator of Art Toronto Focus Exhibition
Ladji Diaby’s Sampling Sensibilities Are Material and Time-Bending
Fadugba becomes the fourth recipient of this prestigious award, honored with a cash prize, a solo exhibition, and a residency in 2025.
On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work
Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso
Kampala Calling: The African and Diaspora Artists Flocking to Uganda
Unidigrazz: A Collective Practice and a Holding Place
To Spring From Salted Earth
The Secret Apothecary
Shades of Green
AWU Library
C& Highlights of 2024
The Resilient Spirit of the Bamako Biennale
Naomi Beckwith Appointed Artistic Director for documenta 16
Maheder Haileselassie Tadesse Wins Main Prize at Rencontres de Bamako
Our author Aaliyah Lauterkranz was inspired to write a poem by Hall's pioneering thinking in the context of identity.
C& Builds a Living Digital Archive
Bring Home your C& Collectors Box!
Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines
Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026
MACAAL in Marrakech Will Reopen in 2025 After Undergoing Significant Renovations
Massoud Hayoun: Making Art To Say Things Out Loud
The Anarchist Citizenship – People Made of Stories
Still a Powerful Platform for Critical Dialogue around Art, Ecology, and History
La Biennale de l’Art Africain Contemporain Dak’Art 2024
Agnès Brezephin Awarded the Grand Prix Léopold Sédar Senghor at This Year’s Dakar Biennale
Odur Ronald: ‘Why is it easier for raw cotton to reach European capitals than for Ugandan people to travel anywhere?’
Tracing the Then and Now of Restitution Through Mati Diop’s Documentary Fantasy Dahomey
"Not All Travellers Walk Roads – Of Humanity as Practice“ will take place as of September 2025 at the Ciccillo Matarazzo Pavilion in São Paolo, Brazil.
An Exhibition Aims at Accessibility Against a Backdrop of Protest in Kenya’s Capital
ART X Lagos 2024 Reveals Theme, Gallery List and Program
Gaëlle Choisne is the Winner of Prix Marcel Duchamp 2024
Fotogalleriet Announces Nkule Mabaso as Director from 2024 to 2028
