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Seed Archives: Thabo Weaves a Cocoon for Listening

Tanka Fonta wins the Wi Di Mimba Wi Prize 2026

Olukemi Lijadu: Feedback, Friction and Black Atlantic Music

Melvin Edwards (1937–2026)

Moving Parts: Yinka Bernie's Sonic Bridge Across Lagos

Naafia Naahemaa: What Appears Solid Is Already In Motion

Pre-Sale! C& Artists’ Editions #6: Thenjiwe Niki Nkosi

Sounding the Ocean: Spiral Networks of Remembrance and Elation

Investec Cape Town Art Fair 2026

Artist-Led Organizations in Focus At The 61st Venice Art Biennale

Notes on Editorial Dis/Continuities

On Rematriation and Spiritual Reparations

From Edouard Manet’s nineteenth-century painting Olympia to Hollywood’s Academy Awards, a familiar pattern resurfaces. Writer Stephanie Tinsley argues that Western art and cinema repeatedly frames white women’s sexual liberation through the appropriation of Black femininity – a phenomenon she calls the “Olympia Effect.” Citing two recent films, Zola (2021) and Anora (2024), Tinsley remarks how stories about sex work and modern womanhood are rewarded with cultural legitimacy only when centering a white damsel.

The Deconstructive Lens of Ngadi Smart: From Drag to Climate Change

We're Still Here: Thero Makepe’s Visual Jazz

C& Highlights of 2025

The Museum of Black Futures

The Re:assemblages Symposium: How Might We Gather Differently?

Nnena Kalu wins Turner Prize 2025

On Ghosts and The Moving Image: Edward George’s Black Atlas

Caribbean Sounds: The Connective Possibilities of Radio

Werewere Liking: Of Spirit, Sound, and the Shape of Transmission

Black Canadian Print Cultures: Of Quiet and Enduring Legacies

Noel W. Anderson: The Spirit Will Not Descend Without Song

On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones

This article discusses works by the U.S. American multidisciplinary artist of Dominican decent kiarita as visual explorations of the political potential of rest. Synthesising various branches of Black studies and decolonial thought, rest is positioned as a means of grieving the past and present trauma of racial capitalism, of evading and ‘un-doing’ its authority over one’s mind and body, and of conceiving an alternative future.

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

Coming Soon: APRIA Journal Issue #7 — Exhaustion

Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge

Introducing the C& Cyclopedia

Tadáskía Wins the 2025 K21 Global Art Award

Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026

The Art of Dialogue: Living Archives, Memory and Practice

The 36th São Paulo Biennial

A Collector’s Guide to São Paulo

Jazsalyn’s A(spora): On the Gullah Geechee Corridor

Steve McQueen: The Bassline As Sonic Intelligence

Naomi Beckwith Unveils Core Artistic Team for documenta 16

Mapping Literary Circuits with Bao Books From Tunis to Cairo

Alick Phiri and William Matlala: I’ll Be Your Mirror

Mangrove Ecologies: Grounded Forms of Questioning in the Art/World

Dignity Under Duress: Black Figuration Beyond the Global Art Market

Sampling the City: Tristany Mundu’s Cypher with Linha de Sintra

Paula Nascimento and Angela Harutyunyan Announced as Curators of Sharjah Biennial 17

Sudan Art Archive Aims to Reclaim a Canon from Afar

Fundação Bienal de São Paulo Announces List of Participants for its 36th Edition

Samson Mnisi: A Master Posthumously Receives His Due

Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene

AMANI kukita | kung’oa - German and Tanzanian Perspectives on a Colonial Collection

Image Interventions in "The African Gaze"

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies

Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025

Koyo Kouoh (1967 – 2025)

Dispatches from Tint Library’s London Pop-Up

Kapwani Kiwanga Wins the 2025 Joan Miró Prize

FESPACO 2025 Made Space for the Ceremony of African Cinema

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?

Imagining a Future for the Arts in the US

‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo

Stewarding an Antidisciplinary Practice

Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief

Examining De/Colonial Traces Through Colonial Collections

AWARE (Archives of Women Artists, Research & Exhibitions)

Ellipse Prize 2025 Announces Finalists of 5th Edition

ROM Announces Tandazani Dhlakama as Curator of Global Africa

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures

Dr. Zoe Whitley Named Curator of Art Toronto Focus Exhibition

Ladji Diaby’s Sampling Sensibilities Are Material and Time-Bending

Modupeola Fadugba Wins The Norval Sovereign African Art Prize 2025

On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

Kampala Calling: The African and Diaspora Artists Flocking to Uganda

Unidigrazz: A Collective Practice and a Holding Place

The Secret Apothecary

Shades of Green

AWU Library

C& Highlights of 2024

The Resilient Spirit of the Bamako Biennale

Naomi Beckwith Appointed Artistic Director for documenta 16

Maheder Haileselassie Tadesse Wins Main Prize at Rencontres de Bamako

, so I dream: An Ode to Stuart Hall

C& Builds a Living Digital Archive

Bring Home your C& Collectors Box!

Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines




