América Latina Magazine
All Editorial
564 articles
The 36th edition of the Bienal de São Paulo is led by chief curator Professor Dr. Bonaventure Soh Bejeng Ndikung, together with a conceptual team of co-curators Alya Sebti, Anna Roberta Goetz and Thiago de Paula Souza, as well as co-curator at large Keyna Eleison.
Artist presents photography project with potential as affirmative action for dissident memories.
This residency programme brings together Brazilian, Beninese, and Ivorian artists addressing themes such as memory, Afro-Atlantic movements, and Afro-diasporic thought.
An account from Port of Spain on how Caribbean culture and nature have influenced Brathwaite’s sculptures.
![The World Tree [El árbol del mundo]](https://cdn.sanity.io/images/t4cb1ejj/production/f07d94db028ff79708848295f1d20765c4e53ab1-780x382.png?q=90&auto=format&dpr=2&fit=max&w=3840)
The Orgullo Nacional [National Pride] exhibition showcases recent works by José Morbán and challenges the Dominican national ego and the ways in which history and identity are “constructed” or “erected” from positions of power.
Kosisochukwu Nnebe and Keisha Scarville are two artists exploring identity and migration in their Miami residency.
The team assembled by chief curator Ndikung is made up of Keyna Eleison, Thiago de Paula Souza, Alya Sebti, Anna Roberta Goetz and Henriette Gallus.
Profile on Brazilian artist whose aesthetic mimics the digital environment and all its visual and sonic excess.
A conversation with the Peruvian artist who explores themes such as Andean eroticism and the visibility of women.
In this encounter in Canada, Black curators and art professionals held intergenerational dialogues about industry challenges.
A conversation with the Dominican artist, who is participating in the 23rd Paiz Art Biennial in Guatemala.
With texts in English, Spanish, Portuguese, Haitian Creole, K’iche' and Limbum.
A lista visa identificar e mapear bens culturais brasileiros em risco de tráfico.
Masp presents indigenous contemporary art in a series of exhibitions througout 2023.
Formed during the high school student protest movement, this artistic collective’s ethos is “walking and learning together”.
Brazilian indigenous artist talks about the relationship between image and ethno-vision, the constant construction of identity, and art as territory.
The artist who creates paintings and sculptures inspired by Rio de Janeiro’s suburban and popular culture talks about his trajectory.
The seventh edition of FICCA is scheduled to open in September in Medellín, Colombia, under the theme “Land” and includes more than 40 films.
Images from the life struggles that young artists endure in Quibdó, Colombia.
Coletivo Coletores (Collectors Collective) proposes discussion on urgent issues such as combating racism and exclusion.
The only Afrodiasporic Memory Center in Colombia is located in Chocó, the department with the largest Afro-descendant population in the country.
Opening up writings and notebooks, Rebeca Carapiá discusses environmental racism and sculpture's right to die.
This group exhibition at Kunstverein Hamburg looks into the processes of dehumanization that have been taking place in Europe.
Two Colombian photographers in South Africa examine the notions of representation, independence processes and image subversion.
For people of Black African heritage, identifying with Blackness is the glue that connects us, argues Minna Salami.
Artists from all over the world will exhibit their works in Berlin beginning in September 2020.
This exhibition in Quito brings together works from the last twenty years of production of the Ecuadorian artist.
After taking steps to generate public policies for the Brazilian black art scene, the challenge is being able to maintain them.
The artist from Barbados on collective healing, frightening colonial legacies and the Caribbean artistic scene.
“You have to understand that fully embracing blackness and pride is a constant struggle,” says columnist Keyna Eleison.
Whe spoke with the Texan native artist about her work and her role as an artist, activist, and teacher.
The Mexican artist questions the construction of political roles and the significance of the public space.
Residency brings together eight Brazilian artists in Munich. Displacements are visible on the residents' bodies and in their works.
A conversation with Elvira Espejo, Bolivian artist and researcher, about textile art, the Bauhaus and the biased perspective of museums.
Exhibition at major art spaces reveals complex network of social relationships around art produced by Afro-descendants.
The artist, curator and art educator talks about his trajectory and remembers the legendary gallery space O Oço/Galeria Cine e Sol.
Rose Mara Kielela addresses the issue of nonbelonging – “something very profound in the psychological structure of Afro-descendants".
When discussing art and culture, capitalism and neoliberalism are often overlooked, argues C&’s deputy editor Will Furtado.
Among black women artists from Brazil, she is one of the few who discusses in her works a closeness with the sacred.
In her project "Black Atlantis", the artist looks into the possible afterlives of the Black Atlantic.
Afro-Cuban arts narrative from Wifredo Lam to José Bedia and the use of African diasporic concepts within the global art world.
In Peru, young artists are exploring their roots – while trying to change the way the Latin American country regards itself.
Senegalese cultural theorist committed himself to a life-long project of decolonizing the African humanities.
