Jadé Fadojutimi, And that day, she remembered how to purr, 2022. Installation View at “The Milk of Dreams”. Photo: C&
Jadé Fadojutimi, Rebirth, 2022. Installation View at “The Milk of Dreams”Photo: C&
Sable Elyse Smith, Landscape VI, 2022. Installation View at “The Milk of Dreams”. Photo: C&
Baya Mahieddine, all 1947. Installation View at “The Milk of Dreams”. Photo: C&
Antoinette Lubaki, both Untitled, ca. 1929. Installation View at “The Milk of Dreams”. Photo: C&
Loïs Mailou Jones, Africa, 1935. Installation View at “The Milk of Dreams”. Photo: C&
Meta Vaux Warrick Fuller, Ethiopia Awakening, 1921. Installation View at “The Milk of Dreams”. Photo: C&
Bronwyn Katz, Gõegõe, 2022. Installation View at “The Milk of Dreams”. Photo: C&
Akosua Adoma Owusu, Kwaku Ananse, 2013. Installation View at “The Milk of Dreams”. Photo: C&
Kudzanai-Violet Hwami, The wedding of the astronauts 2, 2022. Installation View at “The Milk of Dreams”. Photo: C&
Jonathas de Andrade, With the heart coming out of the mouth at the, 2022. Installation view of the Brazilian Pavilion. Photo: C&
Latifa Echakhch, The Concert, 2022. Installation view of the Suisse Pavilion. Photo: C&
Phumulani Ntuli, Godide, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Lebohang Kganye. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Roger Ballon, The Theater of the Apparitions, 2022. Installation View of the South Africa Pavilion at the 59th Venice Biennale. Photo: C&
Installation View of the Ghana Pavilion at the 59th Venice Biennale. Photo: C&
Na Chainkua Reindorf. Installation View of the Ghana Pavilion at the 59th Venice Biennale. Photo: C&
Diego Araúja. Installation View of the Ghana Pavilion at the 59th Venice Biennale. Photo: C&
Here we share some installation views of the art work we spotted during the opening week at the Pavilions of the 59th Venice Biennale.
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