Carter will be head of Fluxus and global Conceptual art of the 1960s and ’70s, starting his new position in December 2021.
Dia Art Foundation announced today the appointment of Jordan Carter to the position of Curator. With a specialization in Fluxus and global Conceptual art of the 1960s and ’70s, Carter will play a key role in Dia’s commissions, exhibitions, acquisitions, and public programming across its eleven sites. Carter comes to Dia from the Art Institute of Chicago, where he held the position of Associate Curator of Modern and Contemporary Art. He will begin his new role in December 2021.
“Jordan Carter brings with him broad expertise in the period of art history that sits at the core of Dia’s collection. His curatorial interests also offer a vital expansion of this period and its enduring influence on contemporary art, that will be key to Dia’s programming in the coming years. We are elated to welcome Jordan to the Dia team,” said Jessica Morgan, Dia’s Nathalie de Gunzburg director.
“I am thrilled to join Dia Art Foundation and to collaborate on a program that honors the institution’s history while advancing its role as a vibrant and essential hub of radical hospitality—hosting artists, publics, and risk in ways that let the outside in,” said Jordan Carter. “I look forward to contributing to Dia’s mission of championing and expanding the histories and legacies of Minimal and Conceptual art of the 1960s and ’70s, and engaging living artists in sustained and meaningful ways that extend these stakes and dialogues into the twenty-first century.”
Jordan Carter comes to Dia following a tenure of over four years at the Art Institute of Chicago, where most recently he held the position of Associate Curator of Modern and Contemporary Art. In his time at the Art Institute of Chicago, Carter curated and co-curated numerous exhibitions including Mounira Al Solh: I strongly believe in our right to be frivolous (2018); Ellen Gallagher: Are We Obsidian? (2018–19); Benjamin Patterson: When Elephants Fight, It Is the Frogs That Suffer—A Sonic Graffiti (2019); and Richard Hunt: Scholar’s Rock or Stone of Hope or Love of Bronze (2020–21). Carter is co-organizing upcoming exhibitions at the Art Institute of Chicago of the work of stanley brouwn and Shahryar Nashat. Carter is also co-curator of the exhibition Ray Johnson c/o, forthcoming at the Art Institute of Chicago. This exhibition marks the first major institutional presentation of the artist’s work since Ray Johnson: Correspondences, a 1999 retrospective at the Whitney Museum of American Art, organized by Donna De Salvo, currently Senior Adjunct Curator at Dia.
From 2015–17, Carter was a Curatorial Fellow at the Walker Art Center. Prior to his time at the Walker, he was the twelve-month Fluxus Collection Intern at the Museum of Modern Art (MoMA), New York, where he researched, catalogued, and organized displays of MoMA’s Fluxus collection. Carter has also held curatorial and research positions at the Studio Museum in Harlem and Centre Pompidou in Paris. He holds a BA from Brown University, Providence, Rhode Island, and an MA from the Courtauld Institute of Art, London, where he focused on Fluxus and global Conceptual art.