The first UK institutional show at Serpentine for the legendary Haitian-French artist includes paintings, objects, collages and assemblages from the late 1950s to the present day.
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022) Photo: Hugo Glendinning.
Hervé Télémaque, Portrait de Famille, 1962-63, Oil on canvas 195.3 x 260.3 cm. Photograph: Fondation Gandur pour l’Art, Genève / André Morin © Hervé Télémaque, ADAGP, Paris and DACS, London 2021.
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022) Photo: Hugo Glendinning.
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022) Photo: Hugo Glendinning.
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022), Fonds d’actualité No1 (Current Affairs No1), detail, Photo: Hugo Glendinning
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022), L’Enfant voit rouge (The Child Sees Red), Photo: Hugo Glendinning.
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022), My Darling Clementine, Photo: Hugo Glendinning
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022), Inventaire, un homme d’intérieur, Photo: Hugo Glendinning.
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022) Photo: Hugo Glendinning.
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022), Confidence (Secret), detail, Photo: Hugo Glendinning
Hervé Télémaque: A Hopscotch of the Mind (Installation view, 7 October 2021 – 30 January 2022), One of the 36,000 Marines over our Antilles, Photo: Hugo Glendinning
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![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-320x200.png)
![(clockwise) Manyaku Mashilo, Passage to Prayer (detail), 2023. Credit: Hayden Phipps & Southern Guild Archives. Courtesy of the artist; Tatenda Chidora, Self isolation II, 2021. Ilford Gold fibre Pearl 290gsm, 102cm x 132cm. Courtesy of the artist; Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto tupinambá [Tupinambá Mantle], 2023. Courtesy of the artist. Foto: Glicéria Tupinambá; Elizabeth Catlett, African American, 2009, MUSEUM MMK FÜR MODERNE KUNST, © Elizabeth Catlett Family Trust / VG Bild-Kunst, Bonn 2023, photo: Axel Schneider.](https://contemporaryand.com/wp-content/uploads/2024/12/Bildschirmfoto-2024-12-19-um-21.08.13-480x300.png)
