Museo delle Civiltà, Rome, Italy
Deadline: 20 February 2022
The Museo delle Civiltà is launching an open call for a residency and the production of a project on the topic “Care in a World We Share with Others/Caring in a Precarious World”
The residency will take place in the framework of the European Project Taking Care – Ethnographic and World Cultures Museums as Spaces of Care (takingcareproject.eu), co-funded by the Creative Europe Programme of the European Union.
Museums of Ethnography and World Cultures are holding a great number of collections originat-ing from societies whose members today are involved in social, political or ecological struggles. How can they be activated to address the twinned concerns of planetary precarity and the precari-ty of plural societies? In what ways can they shape more democratic and equitable futures mobi-lising their collections and (difficult) histories? And how might they help in challenge rising exclu-sionary politics based in anxiety around others?
Within this context, the Museo delle Civiltà is committed to exploring the connections between its ethnographic collections and questions regarding the climate crisis, the Anthropocene and issues related to the afterlives of colonialism.
The call is addressed to activists, artists, researchers, or cultural actors and creatives similarly en-gaged in contemporary efforts and interested in museum collections as sources of inspiration.
Thematic focus
The research of the residency will be based on the “Mostra campionaria” (Trade Fair) section of the former Colonial Museum of Rome, opened in 1923 and closed in the 70s of the 19th century, and currently in storage at the Museo delle Civiltà.
The collections of the Colonial Museum of Rome – a museum of colonial propaganda, whose main narrative was the exaltation of the Italian enterprises in Libya, Eritrea, Ethiopia, and Somalia – are characterized by a strong heterogeneity of objects and sections: ethnographic, artistic, ar-chaeological, colonial history, trade, and commodities compose a contested and difficult heritage. (Please see the dossier on the history of the Colonial Museum attached).
The “Mostra campionaria” section contains, among others, several samples of comestible goods, raw and processed materials, woods, stones, furs, and seeds. All these materials have been taken from the Italian colonies and constantly exposed in colonial fairs in Italy (and Europe) before and after entering the Colonial Museum of Rome. This section also contains finished products such as hats, bags, shoes, buttons, made for the Italian/European taste of the time.
The objects of the “Mostra campionaria” address forms of colonial exploitation and commercial propaganda. The purpose was to spread knowledge of the products and manufactures of the colo-nies in order to make trade relations between the mother country and the colonies easier and more profitable. The existence of these materials, and their history, is a direct result of a series of exploitations, predations, fetishization, and of a patriarchal relationship between Italy and the colonies. In addition, this collection addresses issues concerning environmental justice, and how the world has been permanently scarred by human impact.
Given these premises, within the residency “Care in a World We Share with Others/Caring in a Precarious World” it will be important to investigate the contradictions concerning the term curate, as well as preservation (of art, heritage, memories, environment). The verb “to cu-rate” (from Latin cura, “take care”) can express ambivalent meanings, especially if it is framed within the context of the former Colonial Museum of Rome, which require the adoption of post-colonial and decolonial approaches and perspectives. Among the various collections that compose the museum, the commodities section can cover a specific role in understanding the ambiguity of the term curating, leading us back to topics that have to do with the Anthropocene, colonialism, environmental exploitation, capitalism, and gender issues. Starting from these considerations, together with the materials and products in the collection, the resident is invited to develop a personal output coherently with the objectives of the call.
Objectives
Timeframe
Output
The creative result should be site- and context-specific: conceived and produced in the framework of the dialogue between museum curators, the collections, and the resident’s inspiration, poetics, and politics.
The output will be presented in the temporary experimental exhibition which will open as part of the Taking Care Project in January 2023. It could also be exhibited in the Museo delle Civiltà and/or future events.
The Museo delle Civiltà will cover all the production costs of the project whose output will be ac-quired by the Museum as part of its collections. Conditions and terms will be defined in the for-mal agreement) (see “Selection methods, terms, and conditions”).
Presentation of the work in the form of a talk, conversation, or performance is expected (see also “Additional opportunities and expectations”).
What they expect
Eligibility criteria
What they offer
* Due to the pandemic, the Museo delle Civiltà cannot guarantee the selected applicant an on-site residency. Despite the extenuating circumstances, the Museo delle Civiltà is committed to offer-ing all necessary support to the selected applicant. The terms of the residency details will be de-fined in accordance with the health measures in effect in August 2022.
Facilities and Services
Additional opportunities and expectations
Selection methods, terms and conditions
Deadline
The project and all the documents required have to be submitted by 20th February 2022. Later submission will not be considered in the selection process.
Location
Museo delle Civiltà
Piazza Guglielmo Marconi, 14
00144 Roma (Italy)
Requirements and Contacts
Submissions must be sent by e-mail by 20th February 2022, inclusive, to taking-care.muciv@beniculturali.it
Documents required