SearchOpportunitiesEventsAbout UsHubs
C&
Magazines
Projects
Education
Community
Event

Serge Alain Nitegeka: Ode to Black

Johannesburg, South AfricaStevenson18 May 2017 - 30 June 2017
Serge Alain Nitegeka: Ode to Black

Serge Alain Nitegeka: Ode to Black

STEVENSON Johannesburg present Ode to Black, a solo exhibition by Serge Alain Nitegeka, his fifth with the gallery.

Nitegeka says:

Black is the colour of mourning and melancholy. Black epitomises stealth; it is central to clandestine ventures and cool lonesomeness. Black is the colour of executive cars, gadgets, accessories and clothing. Eternally beautiful, Black is the colour of the universe, the infinite deep dark unknown abyss. Black is a wormhole, mysterious and ever-receding, absorbing everything around it and revealing nothing. Black is all colours mixed together, perhaps the sum of the visible. Black is the only colour without light, though full and empty.

Black is a colour reserved unto itself. It is comfortable in its own nature, unruffled and confident. It tries very hard to stay anonymous but inquiring eyes are drawn to it; spectators cannot resist it. It is not popular. It reveals little because it is neither warm nor cold. It is an enigmatic pigment.

The colour black presents itself ambiguously in meaning, like the abstract forms in my practice. Ode to Black explores the multitude of meanings that the colour black invites in my work thus far, in paintings, sculptures and installations.

{{B:Nitegeka was born in Burundi in 1983 and lives in Johannesburg. He won the Tollman Award for the Visual Arts in 2010, and in the same year he was selected for the Dakar Biennale, where he won a Fondation Jean Paul Blachère prize. In addition to Stevenson Johannesburg and Cape Town, Nitegeka has held solo exhibitions at Marianne Boesky Gallery and Boesky East in New York, in 2016 and 2014; SCAD Museum of Art, Savannah, Georgia (2015); and Le Manège gallery, French Institute, Dakar in 2012. Recent group exhibitions include Exchange at Galerie Hans Meyer, Düsseldorf (2016); I Love You Sugar Kane at the Institute of Contemporary Art Indian Ocean in Port Louis, Mauritius (2016); A story within a story…, at the 8th Göteborg International Biennial for Contemporary Art (2015); What remains is tomorrow at the South African Pavilion at the 56th Venice Biennale (2015); Venturing Out of the Heart of Darkness at The Harvey B Gantt Center for African-American Arts and Culture in Charlotte, North Carolina (2015); This House, part of Nouvelles vagues at the Palais de Tokyo, Paris (2013); My Joburg at La Maison Rouge, Paris and the Staatliche Kunstsammlungen Dresden (2013) and The Space Between Us at ifa Galleries in Berlin in 2013.}}

.

www.stevenson.info

View more from

Beyond Representation

Beyond Representation

Pérez Art Museum Miami
Dec 7, 2023–Dec 31, 2026
Diverse work uniforms displayed on stands in a bright room with large windows.

Dignidade e luta: Laudelina de Campos Mello

Instituto Moreira Salles
May 16–Nov 22, 2026
An art installation of white fabric ropes hangs within a bright atrium with a glass ceiling, some looping in the foreground, others vertical against a large window overlooking a city.

Cecilia Vicuña - The vanished glacier

Castello di Rivoli
Apr 30–Sep 20, 2026
A man leans against large speakers next to a customized mobile record shack called "Swing A Ling," painted with music genres like Reggae and Soul.

Dancing the Revolution

Museum of Contemporary Art Chicago
Apr 11–Sep 20, 2026
Illustration of two naked people in a teal bathroom; one sits on the edge of a bubble bath holding a katana, while the other relaxes in the bubbles with a drink.

The Object of Power is Power

Leslie-Lohman Museum of Art
May 6–Sep 20, 2026