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Cinematic Migrations: a symposium and lecture series

Cambridge, MA, United States3 March 2014 - 28 April 2014
Cinematic Migrations: a symposium and lecture series

Cinematic Migrations: a symposium and lecture series

Cinematic Migrations is an ongoing research project, seminar, and lecture series that generates a multi-faceted look at the role of cinema's transmutations over time, stemming from its fractured ontology and its worldwide and circuitous shifts. These include the integrations of its form into online video, film, and television diffusion, spatial installations, performance and dance, as well as its appearance in many formats and portable devices. During this initial phase, the work of John Akomfrah, currently with Smoking Dogs Films and previously with Black Audio Film Collective, provides a focal point for examination, in conjunction with presentations of filmmakers, artists, and scholars participating in the symposium and related lecture series. Cinematic Migrations symposium: March 6–7 The Cinematic Migrations symposium developed as a culmination of the first two years of investigations. Invited guests will discuss facets of what the Cinematic Migrations framework suggests in relation to their work as artists, filmmakers, producers, and scholars, as well as in relation to the work of John Akomfrah. Speakers: Renée Green, artist, filmmaker, writer, ACT professor and director, John Akomfrah, OBE, filmmaker, Lina Gopaul, producer, Smoking Dogs Films (UK), Arthur Jafa, cinematographer and producer, Manthia Diawara, professor of Comparative Literature, New York University, Laura Marks, Dena Wosk University professor, Simon Fraser University (Canada), Fred Moten, philosopher, poet, and professor of English, University of California, Riverside, Gloria Sutton, assistant professor of Art History, Northeastern University Cinematic Migrations lecture series : Experiments in thinking, action and form The cinematic, as a poetic and essayistic form of examination and reflection, underlies the breadth of perspectives and practices explored by the guests. Filmmakers, multimedia artists, performers, and scholars will reflect on and probe ideas pertaining to embodied experience, memory, the diasporic imagination, as well as human experience amidst political and technological changes. March 3 Transfigured Night John Akomfrah, OBE, filmmaker and writer, Smoking Dogs Films (UK) Lina Gopaul, producer and writer, Smoking Dogs Films (UK) March 17 Migration Inside-Out: Contemplate, Imagine, Act… Kazue Kobata, professor, Department of Intermedia Art, Tokyo University of the Arts April 7 Where's the Passion? Where's the Politics? Yvonne Rainer, dancer, choreographer and filmmaker April 28 Theresa Hak Kyung Cha, Translations of Memory Elvan Zabunyan, art critic, historian, and lecturer at the University of Rennes (France) Cinematic Migrations is a collaborative research and production project initiated by Renée Green (Free Agent Media); in its initial two-year phase it has been co-hosted by ACT and the MIT Visiting Artists Program. The work of filmmaker John Akomfrah and producer Lina Gopaul (Smoking Dogs Films; founding members of the seminal UK-based Black Audio Film Collective) has been a focal point in this inaugural iteration. For an overview of the Cinematic Migrations project, including past lectures. In connection with the symposium and lecture series, the Harvard Film Archive will be screening several films directed by John Akomfrah and produced by Lina Gopaul. Free and open to the public http://act.mit.edu/projects-and-events

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