SearchOpportunitiesEventsAbout UsHubs
C&
Magazines
Projects
Education
Community

Ugochukwu-Smooth C. Nzewi

14 ARTICLES
With Substance and Context against Misinterpretation: Fédéric Bruly Bouabré’s Retrospective at MoMa - Contemporary And

With Substance and Context against Misinterpretation: Fédéric Bruly Bouabré’s Retrospective at MoMa

C& Magazine

Review

Frédéric Bruly Bouabré: World Unbound - Contemporary And

Frédéric Bruly Bouabré: World Unbound

C& Magazine

Installation View

Frédéric Bruly Bouabré: World Unbound

Frédéric Bruly Bouabré: World Unbound

Event

MoMA

Ugochukwu-Smooth C. Nzewi Joins MoMA as Curator - Contemporary And

Ugochukwu-Smooth C. Nzewi Joins MoMA as Curator

C& Magazine

Announcement

Feedback: Art, Africa and the 1980s

Feedback: Art, Africa and the 1980s

Event

Iwalewahaus

Richard Mudariki: Mutara Wenguva – Time Line

Richard Mudariki: Mutara Wenguva – Time Line

Event

Sanlam Art Gallery

Ugochukwu-Smooth C. Nzewi Appointed Curator of African Art - Contemporary And

Ugochukwu-Smooth C. Nzewi Appointed Curator of African Art

C& Magazine

Announcement

Eric van Hove: The Craft of Art

Eric van Hove: The Craft of Art

Event

Jaffe-Friede Gallery, Hopkins Center

Biennale Cultures in Africa

Biennale Cultures in Africa

Event

Conference

The Rising Contemporary African Art Brand and the Burden of Africanness  - Contemporary And

The Rising Contemporary African Art Brand and the Burden of Africanness

C& Magazine

Contemporary art

Inaugural Meeting of the Another Roadmap For Arts Education - Africa Cluster

Inaugural Meeting of the Another Roadmap For Arts Education - Africa Cluster

Event

Education

Congratulations to Nomusa Makhubu - Contemporary And

Congratulations to Nomusa Makhubu

C& Magazine

Announcement

“Dak'Art 2014 is conceived as an active process of producing the common.” - Contemporary And

“Dak'Art 2014 is conceived as an active process of producing the common.”

C& Magazine

In Conversation

Memory as the received, appropriated, lived, and imagined - Contemporary And

Memory as the received, appropriated, lived, and imagined

C& Magazine

Feature