SearchOpportunitiesEventsAbout UsHubs
C&
Magazines
Projects
Education
Community
Tony Cokes: Fragments, or just Moments - Contemporary And

Installation View

6 September 2022

Magazine C&

1 min read

Tony Cokes: Fragments, or just Moments

Haus der Kunst is hosting Germany’s first solo show of the artist Tony Cokes who is becoming one of the most important, post-conceptual artists.

For more than three decades, Tony Cokes has explored the political ideologies of media and pop culture and its impact on society, becoming one of the most important, post-conceptual artists to emerge in recent times.

Grounded in the experience of the visual exploitation of African American communities in film, television, advertising, and music videos, Cokes has developed a unique language for video essays since the late 1990s that vehemently rejects representative imagery. The artist’s fast-moving audiovisual works are based on found text fragments and pop music, stemming from different times and contexts. Through the constant friction between the discursive and disparate cultural references, Cokes alters conventional forms of perception to trace historical continuities. The act of reading discourses on structural racism, capitalism, warfare, and gentrification becomes an interlaced, bodily and public experience.

hausderkunst.de

Tony Cokes. Fragments, or just Moments
Teil des Auftragswerks / Part of the comissioned work Some Munich Moments 1937–1972
Haus der Kunst, 2022
Foto: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Teil des Auftragswerks / Part of the comissioned work Some Munich Moments 1937–1972 Haus der Kunst, 2022 Foto: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments
Installationsansicht / Installation view
Haus der Kunst, 2022
Photo: Maximilian Geuter

Tony Cokes. Fragments, or just Moments Installationsansicht / Installation view Haus der Kunst, 2022 Photo: Maximilian Geuter

Read more from

Feature

An overhead view of a person in a flowing orange dress dancing on a textured, light-colored ground.

Naafia Naahemaa: What Appears Solid Is Already In Motion

Photography

Ghana

A man in a white shirt turns to look back from a church pew, with others seated around him.

We're Still Here: Thero Makepe’s Visual Jazz

Photography

Botswana

An exhibition space with a blue wall featuring books on shelves and text about a 'GB BOOK RESIDENCY', a dark counter on the left, and a doorway.

C& Highlights of 2025

Read more from

Video

Silver Lion Goes to Karimah Ashadu - Contemporary And

Silver Lion Goes to Karimah Ashadu

Camille Turner Receives TBA Artist Prize - Contemporary And

Camille Turner Receives TBA Artist Prize

Christopher Ulutupu: Fantasy, Desire, and Indigeneity - Contemporary And

Christopher Ulutupu: Fantasy, Desire, and Indigeneity