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Film Memoirs

Film Memoirs

Film Memoirs Series (2018), Eustáquio Neves. Photo: Luísa Lombardi.

Film Memoirs Series (2018), Eustáquio Neves. Photo: Luísa Lombardi.

Film Memoirs (2018), Eustáquio Neves. Photo: Luísa Lombardi.

Film Memoirs (2018), Eustáquio Neves. Photo: Luísa Lombardi.

Film Memoirs (2018), Eustáquio Neves. Photo: Luísa Lombardi.

Film Memoirs (2018), Eustáquio Neves. Photo: Luísa Lombardi.

Photo from the series Football (1997-1998), Eustáquio Neves. Photo: Luísa Lombardi.

Photo from the series Football (1997-1998), Eustáquio Neves. Photo: Luísa Lombardi.

Overview of the exhibition: Dead horse Series (2008) and Objectification of the Body (1999-2000), Eustáquio Neves. Photo: Luísa Lombardi.

Overview of the exhibition: Dead horse Series (2008) and Objectification of the Body (1999-2000), Eustáquio Neves. Photo: Luísa Lombardi.

Dead horse Series (2008), Eustáquio Neves. Photo: Luísa Lombardi.

Dead horse Series (2008), Eustáquio Neves. Photo: Luísa Lombardi.

Punishment Mask Series (2004), Eustáquio Neves. Photo: Luísa Lombardi.

Punishment Mask Series (2004), Eustáquio Neves. Photo: Luísa Lombardi.

Objetification of the Body Series (1999-2000), Eustáquio Neves. Photo: Luísa Lombardi.

Objetification of the Body Series (1999-2000), Eustáquio Neves. Photo: Luísa Lombardi.

Exhibition at cAsA – Works on Paper, Eustáquio Neves. Photo: Luísa Lombardi.

Exhibition at cAsA – Works on Paper, Eustáquio Neves. Photo: Luísa Lombardi.

Photo from the series Objectification of the Body (1999-2000), Eustáquio Neves. Photo: Luísa Lombardi.

Read more fromInstallation View
Textile art installation in a gallery, featuring long hanging red and brown ropes and a wavy crocheted piece.

Xa jun ruk’oxomal qanima – A Shared Heartbeat

A road passes under a natural rock arch into a desert landscape with distant mesas under a cloudy sky.

Several Eternities in a Day: Form in the Age of Living Materials

An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.

61st Venice Biennale: National Pavilions

Read more fromInstallation View
A vibrant arrangement on a woven mat with a yellow flame held by pink hands, two painted eye-rocks, and everyday items like toothbrushes and fly swatters.

61st Venice Biennale: Arsenale and Giardini

Abstract painting with thick, textured brushstrokes in shades of blue, pink, and green.

Oscar Murillo: Collective Osmosis

A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.

Frestas – Art Triennial

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