América Latina Magazine
Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar
The Artists Forging Ecological Ties in Female Fugivity and Marronage
Caribbean Sounds: The Connective Possibilities of Radio
Confronting the Absence of Latin America in Conversations on African Diasporic Art
Macuxi Jaider Esbell: An Indigenous Life Cut Short by Epistemic Extractivism
2025 in Review
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal
Esperanza de León: Curating Through Community Knowledge
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market
Images
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LGBTQIA+ Diversity Stories
It Comes from the Head: A Straw Heritage
Roots: Beginning, Middle, and Beginning
Electric Dub Station: The Return of Tomorrow
Veronica Ryan: Unruly Objects
Raíces y renacimiento: Mujeres Dominicanas en el Arte
LGBTQIA+ Diversity Stories
It Comes from the Head: A Straw Heritage
Roots: Beginning, Middle, and Beginning
Electric Dub Station: The Return of Tomorrow
Veronica Ryan: Unruly Objects
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Texts
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2025 in Review
Paris Noir: Pan-African Surrealism, Abstraction and Figuration
Irmandade Vilanismo: Bringing Poetry of the Periphery into the Bienal
Esperanza de León: Curating Through Community Knowledge
Librería Ireti, Havana, Cuba
Eva de Souza: Textile Experimentation as Poetic Protest
A k u z u r u: Art, Post-humanism and Healing
In Conversation
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Ana Pi: Knowledge Does Not Disappear
Biophillick: Connecting Ancestries Through Technology
The Ancestral Travels of Gladys Kalichini and Maritea Dæhlin
UÝRA work intertwines water, identity, and resistance to challenge environmental devastation and forced displacement.
Must Reads
The Spiritual Technologies of Jamaican Maroons
What’s Behind Decolonial Movements in Brazil?
Afro-Indigenous Memory in the Work of Maria Lira Marques
Brazilian Artist enorê Explores the Creative Language of Data
Jesús Hilário-Reyes: Dissolving Notions of Group and Individual
2nd Bienal das Amazônias
Dismantling colonial power
The Art of Translating and Vice Versa
Machada considers the arrays of Brazilian identity multiplicity and LGBTQIA+ invisibility in pre-colonial historicity. With her work, the artist proposes a destabilization of the collective imagination associated with love between femmes.
Take a look into libraries and book collections holding some of the rarer and often forgotten publications, which are nonetheless essential to the discourse on both sides of the spectrum.