Magazine
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A Cohort of Artists Reconfiguring AI’s Memories

Picha and The Lubumbashi Biennale: Sustaining Artistic Infrastructures

The Artist Residency Centre (ARC) in Botswana

Black Orpheus: Who Gets to Frame a Black Cultural Canon?

Public Fiction: How Art Drafts Realities

When We Gather: On the Not-Yet-Become in Lagos

The Aftercycle: Speculations on Responsive Touch and Restituted Objects

Water is Running: Wura-Natasha Ogunji’s Aquatic Archive
The Barbican Centre presents Project A Black Planet: The Art and Culture of Panafrica

‘In Minor Keys’ Schools at the 61st Venice Biennale

On Ancestral Recipes and Diasporic Foodways

AfterBiennales: The Lagoon of Nations at Venice

In conversation with C&, sculptor Ndidi Dike traces the long grammar of extraction, from King Leopold’s rubber quotas to the cobalt mines powering the global green economy. She asks about the people who bear the cost of progress, for whom justice is a rare event. Dike’s exhibition, Rare Earth Rare Justice, curated by Jeanette Pacher, is on view at the Secession, Vienna, until May 31, 2026, before traveling to Färgfabriken, Stockholm, and Zachęta National Gallery of Art, Warsaw.

Thenjiwe Niki Nkosi Frames Printmaking As A Relay Process

Seed Archives: Thabo Weaves a Cocoon for Listening

Tanka Fonta wins the Wi Di Mimba Wi Prize 2026

Olukemi Lijadu: Feedback, Friction and Black Atlantic Music

Melvin Edwards (1937–2026)

Moving Parts: Yinka Bernie's Sonic Bridge Across Lagos

Naafia Naahemaa: What Appears Solid Is Already In Motion

Pre-Sale! C& Artists’ Editions #6: Thenjiwe Niki Nkosi

Sounding the Ocean: Spiral Networks of Remembrance and Elation

Artist-Led Organizations in Focus At The 61st Venice Art Biennale

Notes on Editorial Dis/Continuities

On Rematriation and Spiritual Reparations

From Edouard Manet’s nineteenth-century painting Olympia to Hollywood’s Academy Awards, a familiar pattern resurfaces. Writer Stephanie Tinsley argues that Western art and cinema repeatedly frames white women’s sexual liberation through the appropriation of Black femininity – a phenomenon she calls the “Olympia Effect.” Citing two recent films, Zola (2021) and Anora (2024), Tinsley remarks how stories about sex work and modern womanhood are rewarded with cultural legitimacy only when centering a white damsel.

The Deconstructive Lens of Ngadi Smart: From Drag to Climate Change

We're Still Here: Thero Makepe’s Visual Jazz

C& Highlights of 2025

The Museum of Black Futures

The Re:assemblages Symposium: How Might We Gather Differently?

Nnena Kalu wins Turner Prize 2025

On Ghosts and The Moving Image: Edward George’s Black Atlas

Caribbean Sounds: The Connective Possibilities of Radio

Werewere Liking: Of Spirit, Sound, and the Shape of Transmission

Black Canadian Print Cultures: Of Quiet and Enduring Legacies

On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones

Rest in/as Freedom: kiarita and Black Politics of Liberation

Coming Soon: APRIA Journal Issue #7 — Exhaustion

Maktaba Room: Annotations on Art, Design, and Diasporic Knowledge

Introducing the C& Cyclopedia

Tadáskía Wins the 2025 K21 Global Art Award

Zimbabwe Pavilion Announces “Second Nature | Manyonga” for Venice Art Biennale 2026

The Art of Dialogue: Living Archives, Memory and Practice

A Collector’s Guide to São Paulo

Steve McQueen: The Bassline As Sonic Intelligence

Naomi Beckwith Unveils Core Artistic Team for documenta 16

Mapping Literary Circuits with Bao Books From Tunis to Cairo

Mangrove Ecologies: Grounded Forms of Questioning in the Art/World

Dignity Under Duress: Black Figuration Beyond the Global Art Market

Paula Nascimento and Angela Harutyunyan Announced as Curators of Sharjah Biennial 17

Sudan Art Archive Aims to Reclaim a Canon from Afar

Fundação Bienal de São Paulo Announces List of Participants for its 36th Edition

Samson Mnisi: A Master Posthumously Receives His Due

Emmanuel Aggrey Tieku Wins 2025 Ellipse Prize Focused on Ghana’s Emerging Art Scene

Image Interventions in The African Gaze

Venice Biennale 2026 Will Follow Late Koyo Kouoh's Vision

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies

Lindokuhle Sobekwa Wins the Deutsche Börse Photography Foundation Prize 2025

Koyo Kouoh (1967 – 2025)

Dispatches from Tint Library’s London Pop-Up

Kapwani Kiwanga Wins the 2025 Joan Miró Prize

The 29th Pan-African Film and Television Festival of Ouagadougou, known as FESPACO from its French acronym, was held under the theme of "African Cinemas and Cultural Identities" in February and March 2025. Sharing reflections and excerpts of their visual diary on film, writer Makella Ama explains why FESPACO is distinctive and culturally significant.

Kombo Chapfika and Uzoma Orji: What Else Can Technology Be?

Imagining a Future for the Arts in the US

‘Apprendre à Flamboyer’: Collective Joy in Practice at Palais de Tokyo

Stewarding an Antidisciplinary Practice

Ethel-Ruth Tawe to Lead C& Magazine as Editor-in-Chief

Examining De/Colonial Traces Through Colonial Collections

Thinkers and Titles: On Black German Literary Tradition

AWARE (Archives of Women Artists, Research & Exhibitions)

Ellipse Prize 2025 Announces Finalists of 5th Edition

ROM Announces Tandazani Dhlakama as Curator of Global Africa

In Conversation with Lubaina Himid: The Artist Set to Represent the UK at Venice Biennale 2026

Osei Bonsu: A Curatorial Lens on Photography as Identity and Tradition, Counter-Histories and Imagined Futures

Ladji Diaby’s Sampling Sensibilities Are Material and Time-Bending

Modupeola Fadugba Wins The Norval Sovereign African Art Prize 2025

On History and Fiction: Tuan Andrew Nguyen's Cinematic Memory Work

Cabo Verde’s Layered Temporalities Emerge in the Work of César Schofield Cardoso

Kampala Calling: The African and Diaspora Artists Flocking to Uganda

Unidigrazz: A Collective Practice and a Holding Place

To Spring From Salted Earth

The Secret Apothecary

Shades of Green

AWU Library

C& Highlights of 2024

The Resilient Spirit of the Bamako Biennale

Maheder Haileselassie Tadesse Wins Main Prize at Rencontres de Bamako

, so I dream: An Ode to Stuart Hall

C& Builds a Living Digital Archive

Bring Home your C& Collectors Box!

Prince Claus Impact Award Presented to Six Artists from Diverse Disciplines

Koyo Kouoh Has Been Announced as Curator of Venice Biennale 2026

MACAAL in Marrakech Will Reopen in 2025 After Undergoing Significant Renovations

Massoud Hayoun: Making Art To Say Things Out Loud




