SearchOpportunitiesEventsAbout UsHubs
C&
Magazines
Projects
Education
Community
curation

Valerie Cassel Oliver Receives Audrey Irmas Award for Curatorial Excellence

Valerie Cassel Oliver Receives Audrey Irmas Award for Curatorial Excellence - Contemporary And

25 February 2022

Magazine C& Magazine

3 min read

Currently Curator of Modern and Contemporary Art at the VMFA, Valerie Cassel Oliver has organized numerous acclaimed exhibitions.

The Center for Curatorial Studies, Bard College (CCS Bard) has announced that Valerie Cassel Oliver, the Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts (VMFA), will receive the 2022 Audrey Irmas Award for Curatorial Excellence.

Former recipients are among others Thelma Golden in 2016 and Okwui Enwezor in 2009. For twenty-three years, the Audrey Irmas Award for Curatorial Excellence has celebrated the achievements of a distinguished curator whose lasting contributions have shaped the way we conceive of exhibition-making today. The award, which is accompanied by a 25,000 USD prize, reflects CCS Bard’s commitment to recognizing individuals who have defined new thinking, bold vision, and dedicated service to the field of exhibition practice.

About Valerie Cassel Oliver

Valerie Cassel Oliver is the Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts. Prior to her position at the VMFA, she was Senior Curator at the Contemporary Arts Museum Houston. Over her curatorial career, she has organized numerous exhibitions including the acclaimed Double Consciousness: Black Conceptual Art Since 1970 (2005); Radical Presence: Black Performance in Contemporary Art (2012) and Howardena Pindell: What Remains to be Seen co organized with Naomi Beckwith (2018). Most recently, she opened the exhibition, The Dirty South: Contemporary Art, Material Culture and the Sonic Impulse, to critical acclaim. The exhibition is currently touring through February, 2023.

Cassel Oliver is the recipient of numerous recognitions and awards including a fellowship from the Center of Curatorial Leadership (2009); the High Museum of Art’s David C. Driskell Award (2011); the James A. Porter Book Award from Howard University (2018) and most recently, the Alain Locke International Arts Award, Detroit Institute of Art, and the College Arts Association’s Excellence in Diversity Award both 2022. She holds an Executive MBA from Columbia University, New York; an MA in art history from Howard University in Washington, D.C., and a BS in communications from the University of Texas at Austin.

Valerie Cassel Oliver will be honored at a gala celebration and dinner in New York City alongside 2020 Award Recipient Connie Butler, Chief Curator at the Hammer Museum at UCLA. The event will take place on Wednesday, April 6, 2022, at Manhattan West Plaza in New York City and is co-chaired by Lonti Ebers, CCS Bard Board of Governors member, and Martin Eisenberg, Chairman of the CCS Bard Board of Governors. The event is supported by Lonti Ebers.

To purchase a ticket or table see the below options, or contact Ramona Rosenberg at 845.758.7574 or rrosenberg@bard.edu.

Read more from

A diptych: above, hands extend from a wall over a table with blue and white pottery; below, an art installation of fruits on rocks.

2025 in Review

A woman in a black quarter-zip top and wide-leg pants, and a man in a black and white patterned shirt and wide-leg pants, stand on a wet street lined with colorful buildings.

Yina Jiménez Suriel and Raphael Fonseca are the artistic directors for Iceland’s Sequences Biennial

A woman with voluminous dark curly hair looks directly at the viewer, wearing a light textured shirt.

MAM São Paulo announces Diane Lima as Curator of the 39th Panorama of Brazilian Art

Read more from

Mãos: 35 anos da Mão Afro-Brasileira

Mãos: 35 anos da Mão Afro-Brasileira

Jaime Lauriano – Here is the End of the World

Jaime Lauriano – Here is the End of the World

Indiscipline and Counter-memory in Afro-Cuban Art

Indiscipline and Counter-memory in Afro-Cuban Art