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C& Magazine’s Highlights of 2023 You Might Want to Read Again

C& Magazine’s Highlights of 2023 You Might Want to Read Again - Contemporary And

14 December 2023

Magazine C&

2 min read

From climate colonialism to new perspectives from queer artists in Mozambique, these are some of our most-read articles this year.

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In Conversation Lamin Leroy Gibba: “I want to tell stories that feel truthful”

The actor, writer, and producer reflects on dominant cultural narratives and the complex lives of Black and queer characters on screen and stage.

Tender Photo Emmanuel Iduma’s Archive Attempts to Hold All That Is Intimate The artist has created a participatory digital archive around the tenderness in photographs, refusing temporal linearity by drawing out a kinship.

Berni Searle, Untitled (red, white, yellow, brown), 1998. Installation view at Norval Foundation. Photo: Vusumzi Nkomo

Having But Little Gold How Berni Searle Contemplates the Weight of Loss A retrospective carefully explores Berni Searle’s main subjects – ruins, residues, and loss as a uniquely legitimate site for meditating on liberation.

Ecologies Locating Blackness In Intimate Ecologies Ama Josephine Budge on how to resist climate colonialism through a capacious, trans-temporal Blackness.

African Art Hubs Institutions Build on Art Scenes that Grew Out of Common Artistic Needs How do new arts hubs from Accra to Antananarivo relate to ongoing collective efforts that have enabled production in inconceivable circumstances?

Aria Dean, ABATTOIR, U.S.A.!, Installation view, 2023. The Renaissance Society. Photo: Robert Chase Heishman.

Abattoir, U.S.A! Aria Dean Conjures a Deathly Spectacle In Chicago, the artist helps us experience connections between animal slaughter, violence towards Black peoples, and the brutalization of captured bodies.

Contemporary Black Discourses Navigating Pain and Possibility Afrofuturism and Afropessimism both seek to step outside of limiting narratives and invite self-awareness into the conversation around Black lives.

Installation View 3rd Biennale Internationale de Sculpture de Ouagadougou (BISO) – The Fire of Origins Inspired by the work of the writer Emmanuel Dongala, Le Feu des origins, will run until 4th November in Ouagadougou celebrating contemporary crafts and art.

Marilú Mapengo Námoda, What does the silence pray for? / Para que reza o silencio?, 2023, Sculpture, 2m x .5m. Photo: Lorna Zita

Sem Sombras Queer Artists Bring New Perspectives to Mozambique Curators Onyịnye Alheri and Carolina Policarpo display collaborations between artists from Mozambique, Nigeria, and Angola.

Amt 45 i Cameron Rowland Investigates how Germany Profited from the Transatlantic Slave Trade The traces of racialised enslavement can be found in various German cities. The artist’s exhibition follows them through Frankfurt am Main.

18th Venice Architecture Biennale 2023 Lesley Lokko Breaks New Ground with The Laboratory of the Future In presenting a compelling interplay between reality, fiction and crisis, Lokko delivers a lesson on accountability for curatorial practices.

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Review

A Black woman in a white dress stands in a sand circle, speaking to an audience seated on tiered steps at an outdoor "Re:assemblages Symposium 2025" event.

The Re:assemblages Symposium: How Might We Gather Differently?

Review

Lagos

A woman in a colorful headwrap holds a gourd rattle next to a vibrant abstract painting.

Werewere Liking: Of Spirit, Sound, and the Shape of Transmission

Review

Biennial

Formal black and white group portrait of dozens of men, mostly Black, and one woman, in suits and traditional clothing, gathered outside a building.

Paris Noir: Pan-African Surrealism, Abstraction and Figuration

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In Conversation

Mottled light brown and dark brown texture with irregular black shapes.

On Ghosts and The Moving Image: Edward George’s Black Atlas

In Conversation

UK

Two vibrant, pixelated profiles, rendered in blue and red, face a cowrie shell against an orange background.

On Exile, Amulets and Circadian Rhythms: Practising Data Healing across Timezones

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies - Contemporary And

‘To Treat Process with Care and Intention’: Favour Ritaro Carries Forward Important Curatorial Legacies