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Marcelo D'Salete

Who Would Cry For A Museum?

Who Would Cry For A Museum?

12 September 2018

Magazine América Latina

1 min read

Opinion

Brazil

Marcelo D'Salete

Illustration: Marcelo D’Salete

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Brazil

Nine diverse individuals in varied outfits pose in a large, modern architectural building with a curved interior ramp.

Fundação Bienal de São Paulo announces the curatorial team for its 37th edition

Announcement

Biennial

An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.

61st Venice Biennale: National Pavilions

Installation View

Biennial

Abstract textile artwork made of layered grey mesh and frayed cream fabric, stitched with black thread, pinned to a white wall.

Iahra: Addressing Marine Ecology Through Industrial Materialities

Feature

Black Aquatic

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Opinion

A person's face and hair are covered in white sugar-like granules, with closed eyes and dripping liquid.

Sugar Island: A Film that Lays Bare the Colonial Legacies between Haiti and the Dominican Republic

Film

Caribbean

A person with dark skin and a light blue head covering screams with wide eyes and outstretched hands, illuminated against a dark background.

Bodies in a state of eruption: the performance and metamorphosis of Malu Avelar

Performance

Brazil

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

Not for Sale: How Black and Indigenous artists are rewriting the rules of the art market

Black Cultures Matter

Edgar Calel