C&AL’s Highlights of 2024 You Might Have Missed
Clockwise from top left: Anaïs Cheleux, Mas Maten, Guadeloupe, shot on digital camera, 2016. Courtesy of the artist; Glicéria Tupinambá, Manto Tupinambá, 2023. Courtesy of the artist. Photo: Glicéria Tupinambá; Artwork by Judith Bacci. Photo: Eduardo Nasi; Rikchari Warmi / Despierta mujer / extended version, acrylic paint on natural wood sticks of various sizes, 2019 - 2020. Photo: Victor Idrogo | ICONICA
15 January 2025
Magazine América Latina Magazine
2 min read
A selection of our most read stories of last year.
EncruzilhadasThe Art of Translation and Vice-Versa An essay on art and translation via the encruzilhada, a central concept to Afro diasporic thought in Brazil.
60th Venice BiennaleHãhãwpuá Pavilion: the Community Is More Important Than the Work Itself A conversation with Arissana Pataxó, Denilson Baniwa, and Gustavo Caboco Wapichana, curators of the Brazilian Pavilion in Venice.
Cap 110 at Anse Caffard. Photo: Cristian Baena
60th Venice BiennaleA Journey into the Mind and Work of Julien Creuzet C&AL editors Marny Garcia Mommertz and Cristian Baena reflect on a recent press trip to Martinique alongside the artist and the curators of the French Pavilion.
PeruAndean Eroticism and the Ancestral Tables of Sarhua A conversation with the Peruvian artist who explores themes such as Andean eroticism and the visibility of women.
Studio VisitAnaïs Cheleux: Connecting Caribbean Identity Through Photography and Performance We visit Anaïs Cheleux in her Guadeloupe studio to chat about sugar-cane syrup and her work at this year's Off Biennale in Dakar.
![Duhigó (São Gabriel da Cachoeira, Amazonas, Brazil, 1957), Nepu Arquepu [Monkey Hammock], 2019. Acrylic on wood, 185,5 x 275,5 cm. Collection Museu de Arte de São Paulo Assis Chateaubriand. Gift: Fabio Ulhoa Coelho and Monica Andrigo Moreira de Ulhoa Coelho, 2021. Photo: Edson Kumasaka](https://cdn.sanity.io/images/t4cb1ejj/production/eb02b2f3c3765cfad73ab8f1a638d24766d76e66-1200x700.jpg?q=90&auto=format&dpr=2&fit=max&w=3840)
Duhigó (São Gabriel da Cachoeira, Amazonas, Brazil, 1957), Nepu Arquepu [Monkey Hammock], 2019. Acrylic on wood, 185,5 x 275,5 cm. Collection Museu de Arte de São Paulo Assis Chateaubriand. Gift: Fabio Ulhoa Coelho and Monica Andrigo Moreira de Ulhoa Coelho, 2021. Photo: Edson Kumasaka
Indigenous CulturesIndigenous Histories: Stories told, and many more still untold MASP exhibition highlights visual and cultural productions by indigenous peoples from various places around the world.
Black Cultures MatterExhibition Corrects Black Gap in Brazilian Art History This comprehensive and ambitious exhibition at SESC seeks to highlight historical contributions by Black artists to Brazilian Art.
Ismael David, Series Lord of the Third Gourd (detail), Gourds, polypropylene rope, tereré beads, 2024. Photo: Rony Gomes
EncruzilhadasIsmael David and the Foundations of Exu An essay on the Brazilian artist's investigations into the effects of time and ancestry in the African diaspora.
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