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América Latina Magazine

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81 ARTICLES
An art gallery scene with a dense foreground installation of knives partially wrapped in white fabric, suspended before a bright red wall with other artworks, including a painting of a face.
A vibrant, stylized circular painting showing concentric rings of life: fish in blue water, then lush plants and trees with diverse animals, all framed by a rainbow and a starry cosmos.
Flooded Memories
Raíces y renacimiento: Mujeres Dominicanas en el Arte
Puerto Caribe
La Chola Poblete: Guaymallén
Sesc_Videobrasil Biennial
Bienal das Amazônias
MAHKU: Mirações
States of Becoming
Installation View: Más Arte Más Acción
The Mexico Pavilion at the 59th Venice Biennale
Efie. The Museum as Home
Berlin Biennale: daadgalerie and ExRotaprint
The Other Side of Now: Foresight in Contemporary Caribbean Art
Té de Bogotá
Venice Biennale: Caribbean Identity
Raquel van Haver – Spirits of the Soil
Jean-Michel Basquiat in Brazil
Cosmopolitan Jungle, San Augustin Convent, Bogotá
Images of Aleijadinho
A vibrant arrangement on a woven mat with a yellow flame held by pink hands, two painted eye-rocks, and everyday items like toothbrushes and fly swatters.
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice. Part II
Roots: Beginning, Middle, and Beginning
LGBTQIA+ Diversity Stories
Orgullo Nacional
Funk: A Cry of Boldness and Freedom
(RE)COUTURE
35th São Paulo Bienal – Choreographies of the Impossible
En la luz como ceniza
Dalton Paula: Brazilian Portraits
Installation View: Instituto de Artivismo Hannah Arendt (INSTAR)
Jonathas de Andrade: Brazilian Pavilion at the 59th Venice Biennale
“Imagen Regional”: In Search of the Colombian Pacific
11th Berlin Biennale: Gropius Bau
Manuela Ribadeneira, Objects of Doubt and Certainty
Mexican Muralists in the United States, Whitney Museum
Venice Biennale: Chile and Peru
Two Modernities Speaking Through Lines
A New Visual Canon for Cuba
Film Memoirs
Abstract painting with thick, textured brushstrokes in shades of blue, pink, and green.
2nd Bienal das Amazônias
Electric Dub Station: The Return of Tomorrow
It Comes from the Head: A Straw Heritage
THE SOUL STATION
60th Venice Biennale: Giardini
Coco Fusco: Tomorrow, I Will Become an Island
Jaime Lauriano – Here is the End of the World
From flight to nostrils, breathe, arms wide, messages in the wind
Nakoada: Strategies for Modern Art
Installation View: Atis Rezistans – Ghetto Biennale
Sound Botanica
Forgetting is Forbidden, Colombia
11th Berlin Biennale: KW Institute for Contemporary Art
Legacies of a Deep Brazil
A View From the Other Side of Things
Minerva Cuevas – No Room To Play
Beatriz González in Berlin - Retrospective 1965-2017
33ª Bienal de São Paulo – Affective Affinities
Mercosul Biennial
A vertical garden wall filled with lush ferns, horizontal lights, a red glowing column, and a white decorative column.
36th Bienal de São Paulo – Not All Travelers Walk Roads – Of Humanity as Practice
Veronica Ryan: Unruly Objects
38º Panorama da Arte Brasileira: Mil graus
Mãos: 35 anos da Mão Afro-Brasileira
60th Venice Biennale: Arsenale
O Quilombismo
Fashion and Art in Dialogue
Social Fabric: Art and Activism in Contemporary Brazil
Walter Firmo: In the Verb of Silence, the Synthesis of the Scream
The Peruvian Pavilion at the 59th Venice Biennale
The Jumbee Sea
Not Fully Human, Not Human at All
Between Traditional African Cultures and Global Urban Art
Claudia Andujar, The Yanomami Struggle
Reimagining the Colombian Pacific
The Whitening Of A President
Dulce Tumaco in Bogotá
“Daughters of the Water” by Ana González and Ruven Afanador, Bogotá
Maria Auxiliadora